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Dissertations |
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1
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DANNA LUA IRIGARAY ARAUJO
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For a Star
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Advisor : KARINA E SILVA DIAS
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COMMITTEE MEMBERS :
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KARINA E SILVA DIAS
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GERALDO ORTHOF PEREIRA LIMA
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LUISA DE ARAUJO GUNTHER
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FLORENCE MARIE DRAVET
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Data: Feb 13, 2023
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Show Abstract
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About 245 million years ago, around the Permian-Triassic period, a celestial body of large proportions fell to Earth. What remains of it? Its fragments disappeared like dust. But its scar in space lingers for a long time among rivers, mountains, and cities. From the meeting between the star and the ground and between the body and the crater it generated, the cosmic qualities of the landscape can be perceived along with a possible writing of the stars. The artist-researcher then proposes occupying the place of a detective investigator through the collection of clues from this collision by the creation a dossier composed of notes, fragments, and reports.
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2
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Felipe Ramon Moro Rodriguez
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Spirit's writing
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Advisor : NIVALDA ASSUNCAO DE ARAUJO
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COMMITTEE MEMBERS :
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NIVALDA ASSUNCAO DE ARAUJO
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BIAGIO D ANGELO
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LUISA DE ARAUJO GUNTHER
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MARIA VIRGINIA GORDILHO MARTINS
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Data: Mar 28, 2023
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Show Abstract
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This research proposes to investigate the concept of free association in Carl Jung through my artistic production. This triggers symbols that have the potential for free association, and that are painted, engraved and installed, generating flags, banners, paintings and other objects, always with an open meaning. The objective of this research is to investigate, theoretically and poetically, the potentialities of artistic works of contemporary visual production in relation to different meanings raised in the spectator or participant. For that, an analysis of bibliography related to analytical psychology was carried out, as well as artistic works that bring the possibility of creating new meanings. In addition, I developed an artistic production that dialogues with these issues. The visual production took place throughout the course of the research, influencing the bibliographic and visual survey, which, in turn, exerted significant influences on poetic production, in a feedback process.
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3
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Diego Sousa Bresani
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Photographic portrait as a theater: dissertation-pieces for a dance in the mud and for the bark of the dead master
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Advisor : DENISE CONCEICAO FERRAZ DE CAMARGO
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COMMITTEE MEMBERS :
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ALEXANDRE ROMARIZ SEQUEIRA
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CHRISTUS MENEZES DA NOBREGA
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DENISE CONCEICAO FERRAZ DE CAMARGO
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LUISA DE ARAUJO GUNTHER
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Data: Apr 25, 2023
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Show Abstract
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This research consists of two dissertation-pieces written from real experiences lived by Diego Bresani. The works aim to investigate and analyze the making of the photographic portrait when it occurs in radical situations, considering as a central point of their reflections the portrait as an event of multiple layers, complex relationships that vary depending on the situation in which it is performed. Two specific situations were developed in this research. The first theatrical piece, “A dance in the mud”, deals with the experience that the photographer lived in doing portraits of contemporary Brazilian Far-right politicians. The second play, “The bark of the dead master”, consists of the author's report on the experience of photographing the funeral of his master and friend, theater director Hugo Rodas.
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4
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FERNANDO HISATONI PERICIN
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INSIDE, OUTSIDE, AROUND THE CLOSET: AN ART FOR LIVING, SURVIVING, EXISTING, AND RESISTING DISAPPEARANCE.
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Advisor : DENISE CONCEICAO FERRAZ DE CAMARGO
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COMMITTEE MEMBERS :
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CHRISTUS MENEZES DA NOBREGA
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DENISE CONCEICAO FERRAZ DE CAMARGO
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FERNANDO DO NASCIMENTO GONCALVES
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SUZETE VENTURELLI
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Data: Apr 28, 2023
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Show Abstract
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Memories, photographs, videos, and notes about violence, pain, hope, justice, and confusion are the materials and outcomes of this artistic research, which focuses on the fight against LGBTQIA+ phobia. Specifically, it aims to address the events surrounding the dilemmas of gay men. These are images, news, poetry, and writings dedicated to provoking reflection on what could be considered the "epistemology of the closet": violence against the LGBTQIA+ community and their struggles; hopes and revolt; pain and healing. Informed by activism and the diverse propositions of contemporary art, this work traverses multiple languages and references: posters, such as those of the Guerrilla Girls; textual elements, like those of Jenny Holzer; reinterpretations of (im)possible flags, such as those of Bruno Baptistelli; textual reconstructions, like those of André Vargas; visual and lexical repetitions, like those of many artists; as well as photographs, narrations, and videos. When deciding to come out of the closet or stay within it, it is urgent not only to fight for one's existence and equality, but also to survive violence, desire to live in peace, and resist attacks. The search is for the existence as human beings, to appear as individuals, and to prevent the real or symbolic extermination promoted by Brazilian society, which has the highest rate of killings of homosexuals and transsexuals worldwide.
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5
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LYNN CARONE
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MOBILE PLACES: CartoGraphies of the self and the world and the invention of heterotopies.
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Advisor : SUZETE VENTURELLI
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COMMITTEE MEMBERS :
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DENISE CONCEICAO FERRAZ DE CAMARGO
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HUGO FERNANDO SALINAS FORTES JUNIOR
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LUISA DE ARAUJO GUNTHER
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SUZETE VENTURELLI
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Data: Apr 28, 2023
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Show Abstract
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This theoretical-practical research investigates the specificities of places as propelling agents in the realization of works and - in their unfolding - the displacements that occur during the artistic processes, both through technology and through discursive and narrative aspects in reinterpretations of the environment and of those who inhabit them. By establishing relations between the graphication (spelling) of the self-subjectivity) and of worlds (‘otherx’), estrangement, questioning of the self and of what is seen are revealed; alterity is experienced and the construction of heterotopies and places other becomes possible. It is intended to cover how the poetic work, inserted in a specific place, is articulated and defined through its properties, such as those of technological origin, qualities or meanings produced and related between an “object”, a “place” or an “event” and the resulting displacements. The methodology engulfs the appropriation of the concept of site specificity, in the derivative functional site, in an interweaving with Cartography and poetic considerations of chance, used in actions that depart from the specificities and contexts of places through the use of digital technologies. The theoretical contributions of Miwon Kwon, James Meyer, Gilles Deleuze, Félix Guattari and Michel Foucault were fundamental in the elaboration of this dialogue between theory and practice. The dissertation is divided into four parts: the first presents a brief historical context of site specificity and its methodological articulation with Cartography. The second addresses site specificity as the place of subjectivity, while the third is as a space of invisibility, represented by political bodies in the documentary video art Tran-flying, the video-performance There are many layers and the video art piece The Paradise is for everyone. At last, in the fourth part, site specificity is placed in dialogue with nature and the cycles of life and death through the video and animation Samsara and the photographical series Offertory and Body animal.
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6
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Rodrigo Xavier Lara
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MIRRORS: Filmic (Self)biography of adolescents deprived of liberty
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Advisor : LUIZ CARLOS PINHEIRO FERREIRA
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COMMITTEE MEMBERS :
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LUIZ CARLOS PINHEIRO FERREIRA
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CAYO VINICIUS HONORATO DA SILVA
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ROSANA ANDREA COSTA DE CASTRO
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LUTIERE DALLA VALLE
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Data: Apr 28, 2023
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Show Abstract
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The pedagogical performance in the socio-educational system for teaching in internment measures, despite being guaranteed by the law, faces challenges to promote significant reflections in adolescents for the return to social life and the non-recurrence in the commission of new infractions. The presented text of the master's research entitled: "Mirrors: Filmic (Self)biography of adolescents deprived of liberty", proposes an approach through life narratives, considering it as a possible way in an attempt to contribute to the resocialization, that is, the return to family and social life of adolescents in conflict with the law. In this context, we intend to evaluate the possible contributions of the methodological proposal entitled “Mirrors Project”, linked and remodeled as a practice of filmic (self)biography in the construction of a place of speech for young people with restricted freedom; likewise, conjecture how it subsidized the construction of life projects; and which reflections on self-image were built in this process.
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7
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LAURA TEÓFILO GONZALEZ
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Agencies formed in the refuge of children when forced to the territorial displacement.
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Advisor : CAYO VINICIUS HONORATO DA SILVA
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COMMITTEE MEMBERS :
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CAYO VINICIUS HONORATO DA SILVA
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LUIZ CARLOS PINHEIRO FERREIRA
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MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
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SUMAYA MATTAR
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Data: May 22, 2023
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Show Abstract
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In this research, the agencies formed in the refuge of children living in the CCBB Occupation, located in Brasília, Federal District, were investigated when this children were forced to the territorial displacement, caused by the eviction action carried out by the Government of the Federal District during the Covid-19 virus pandemic. Ethnography research practices were carried out, in a qualitative and rhizomatic manner, with children and adults in the CCBB Occupation over a year in the research field. The investigation justifies the study of Art, Non-formal Education and Political Activism as possible agencies for the refuge of children. The practice of field research was intermediated by the role of social educator and activist at the Escola do Cerrado (E.C. or escolinha do cerrado), a collective and Association created within the CCBB Occupation by children, their families and social activists. The research aims to question whether the experience in the Occupation of the CCBB, with the Escola do Cerrado and, mainly, with the children linked to these situations can present ways of planning/systematizing educational proposals to act in the emergency refuge of these and other children in analogous situations when their common territories are under threat or conflict and seek support for real problems when dealing with homelessness and forced displacement.
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8
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CAIO SATO SCHWANTES
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Mechanics of Applied Imagination: essays on the fictionalization of the Real
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Advisor : LUISA DE ARAUJO GUNTHER
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COMMITTEE MEMBERS :
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LUISA DE ARAUJO GUNTHER
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GERALDO ORTHOF PEREIRA LIMA
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KARINA E SILVA DIAS
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RENATA AZEVEDO REQUIÃO
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Data: May 25, 2023
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Show Abstract
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The present investigation seeks to catalog forms of fictionalization of the world and agglutinates them under the nomenclature of Mechanics of Applied Imagination - an attempt to understand how fictions work. The work is divided into two regimes: diurnal and nocturnal. In the diurnal regime, starting from the Real, Perception and Language - understood here as areas of articulation of these fictions - five fields are identified through which these fictions act: fiction; lie; fantasy; the absurd; and speculation. Finally, specific artistic forms of manifestation of the Mechanics of Applied Imagination are described and proposed. In the nocturnal regime, the Mechanics, guided by divagation, navigate through the themes of Shadows, Dream, Fate, Death, Delirium, Reverie and Desire
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9
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ABEL TEIXEIRA ESCOVEDO
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Arts of Practice: Everyday Portraits beneath the waste
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Advisor : CAYO VINICIUS HONORATO DA SILVA
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COMMITTEE MEMBERS :
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CAYO VINICIUS HONORATO DA SILVA
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LUIZ CARLOS PINHEIRO FERREIRA
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CRISTINA PATRIOTA DE MOURA
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LUTIERE DALLA VALLE
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Data: May 29, 2023
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Show Abstract
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This research takes on everyday representations made by homeless people that live in Universidade de Brasília’s neighbourhood. Anchored in anthropological research and in investigation based in arts I question images as part of the formation of an account and its relation with everyday life tactics. For these purposes I analyze photos taken by the investigation participants together with own notebook, field drawings through diagrams proposed as tools of analisis and production of everyday accounts from the participants and learning and lenguage processes that occurred in the exercise with photography and image.
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10
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ADRIEL DALMOLIN ZORTÉA
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Warburgian questions posed to Adriana Varejão's plastic art
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Advisor : VERA MARISA PUGLIESE DE CASTRO
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COMMITTEE MEMBERS :
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DANIELA QUEIRÓZ CAMPOS
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BIAGIO D ANGELO
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EMERSON DIONISIO GOMES DE OLIVEIRA
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VERA MARISA PUGLIESE DE CASTRO
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Data: Jul 13, 2023
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Show Abstract
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This Master's Dissertation aims to interrogate Adriana Varejão's art (1964) from theoretical questions opened by the notion of Pathosformel, created by the GermanJewish theorist and art historian Aby Warburg (1866-1929), and also in his developments thought by the french philosopher and art historian Georges Didi-Huberman (1953). Faced with the impossibility of delving into the artist's extensive production and, when pondering about presumed gaps, as well as questioning structuring elements of the work and critical fortune, the research focuses specifically on the relationship she articulates between issues of art contemporary art and what the critics linked to the Baroque in Brazil, advancing the hypothesis of a dialogue between the referred plastic art and the Pathosformeln. In this sense, by respecting the warburgian primacy of the image to conduct the art historian's investigations and structuring itself through an associative logic between images, the work seeks to reflect, from the problematization of certain nexuses of his poetics, without obliterating the remission of the artist to the density of the Baroque and portuguese tiles, firstly, on the ethos/pathos polarity in the series Azulejões (2000-), as well as, then, it investigates relations between the Pathosformel of destruction and the series Línguas e Cortes (1998-), or the cooling of the Pathosformeln compared to the recent Ruínas de Carne (2021-2022).
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11
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Ana Paula Barbosa Ferreira Ottoni
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"How to design memories in the midst of change: the story of a futile attempt to build in the midst of collapse."
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Advisor : DENISE CONCEICAO FERRAZ DE CAMARGO
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COMMITTEE MEMBERS :
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EDSON RODRIGUES MACALINI
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DENISE CONCEICAO FERRAZ DE CAMARGO
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KARINA E SILVA DIAS
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LUIZ CARLOS PINHEIRO FERREIRA
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Data: Oct 27, 2023
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Show Abstract
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This work reports on artistic research that has as its object the attempt to create memories, based on the artist's experience of instability due to the constant changes of address in her life. It discusses the ways in which images and/or artmaking can favor the production of an autobiographical memory, derived from the sensation of the body falling. Here, the fall is understood because of instability and at the same time a place for an imaginary journey, in which the intersections and poetic possibilities of the imaginary, memory and displacement will be investigated.
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12
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Gustavo Azevedo da Silva Santos
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Ceilândia and the urban invasions
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Advisor : LUISA DE ARAUJO GUNTHER
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COMMITTEE MEMBERS :
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LUISA DE ARAUJO GUNTHER
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CHRISTUS MENEZES DA NOBREGA
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KARINA E SILVA DIAS
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GABRIEL TEIXEIRA RAMOS
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Data: Oct 27, 2023
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Show Abstract
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The mission to build Brasília encouraged the migration of thousands of workers, mainly from the brazilian Northeast. Although they were building the new capital of Brazil, which should belong to all Brazilians, the workers were prevented from inhabiting it. Ceilândia, the most populous city in the Federal District, was born from a Campaign to Eradicate Invasions, in 1971, which removed more than 80,000 inhabitants. This paper proposes urban invasions in order to outline new narratives and promote the (re)occupation of these territories. Art about the right to the city, surveillance and urban mobility.
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13
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Felipe Matheus Pires da Conceição
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In the night that encloses, to walk in the penumbra
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Advisor : KARINA E SILVA DIAS
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COMMITTEE MEMBERS :
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DENISE CONCEICAO FERRAZ DE CAMARGO
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FABRICIA CABRAL DE LIRA JORDAO
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GERALDO ORTHOF PEREIRA LIMA
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KARINA E SILVA DIAS
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Data: Oct 31, 2023
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Show Abstract
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Compiling travelogs, while-walking-texts, diaries, photographs, drawings and maps, ‘In the night that encloses, to walk in the penumbra’ is constituted by the repeated practice of crossing a specific space in the city of Goiânia, inscribed in the Jaó, Santa Genoveva and Jardim Guanabara sectors, since the notably gloomy period of the COVID-19 Pandemic. The research is developed, therefore, through the poetic gesture of walking, a method that allows the investigation of the various layers of this spatiality, which was extracted from its supposed banality. In this sense, the landscape, the urban histories of these and other sites, the artist’s memories, raised during the experience with the path, and everyday events are examined, scrutinizing the ways of walking at night - and also in the days - faced with a panorama of political, social, intersubjective and family instabilities and the persistent anti-democratic threat, which seems to be linked to a recent past.
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14
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Auber Silvino Bettinelli
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Creation processes of games in the context of art: Mediation as a field of experiments
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Advisor : CHRISTUS MENEZES DA NOBREGA
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COMMITTEE MEMBERS :
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CECILIA ALMEIDA SALLES
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CHRISTUS MENEZES DA NOBREGA
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DENISE CONCEICAO FERRAZ DE CAMARGO
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THERESE HOFMANN GATTI RODRIGUES DA COSTA
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Data: Nov 24, 2023
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Show Abstract
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From a critical analysis of my practice in art education and theoretical references, I propose the organization of a method that guides the creation of games (non-electronic), titled "Z Manual - a map for creating games in the context of art". The term "games in the context of art" is used to delineate playful poetic games and devices conceived within cultural mediation actions in art and culture institutions. These are projects that seek to relate to diverse audiences, developed by multidisciplinary teams of artist-educators. The manual is divided into five creation modules that interact with each other during the creation of a playful poetic proposition. This organization emerges from my observations of the creative processes of the artist-educator collective Zebra5 Jogo e Arte, of which I am a member. Created in 2008, the group explores games as a device to propose participatory experiences in art. The research uses, as examples, games created by the collective with my participation, situating how the creation modules integrate each of the creative processes in distinct ways.
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15
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Ana Beatriz Marques Penna
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“Here, a museum would fit”: an analysis of itinerancies in the exhibition “Esto no es un museo/ This is not a museum”
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Advisor : CAYO VINICIUS HONORATO DA SILVA
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COMMITTEE MEMBERS :
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CAYO VINICIUS HONORATO DA SILVA
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EMERSON DIONISIO GOMES DE OLIVEIRA
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LUIZ CARLOS PINHEIRO FERREIRA
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LUCIANA GRUPPELLI LOPONTE
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Data: Nov 28, 2023
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Show Abstract
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This dissertation proposes an analysis of cases of itinerant art museums associated with the exhibition 'Esto no es un museo/ Isto não é um museu.' This analysis is constructed through three layers of investigation: the first layer is specifically dedicated to the exhibition act, drawing upon studies of walking as an aesthetic practice (Careri, 2013), institutional critique (Fraser, 2008), and exhibition models articulated by Post-critical Museology (Dewdney; Dibosa; Walsh, 2013). The second layer seeks to map audience dynamics, drawing from Warner's formulations (2016), Audience Studies, and the concept of a 'distributed museum' by Dewdney, Dibosa, and Walsh (2013). The third layer focuses exclusively on cultural mediation, informed by the work of Larrosa (2017), Hoff (2014), and Hoff and Honorato (2018), as well as research in the field of itinerancy, such as Xavier (2012) and Gonzalez (2022). Curated by Martí Peran, the exhibition that defines the sample of cases investigated in this research was held at the Centro Cultural São Paulo (CCSP) in 2015. This exhibition may represent one of the most significant efforts in cataloging mobile artifacts conceived as alternative instruments to the art institution. Consequently, this research aims to contribute to meaningful and potentially broader analyses of itinerancy in the context of visual arts, with a focus on the acts of instituting and mediating in mobile artifacts, which hint at a potential cultural democracy.
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16
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Shirley Fiuza Dias
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THE NARRATIVE AS A LIGHTHOUSE: education from a decolonial, anti-racist and intercultural perspective in the trajectories of art teachers at SEDF
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Advisor : LUIZ CARLOS PINHEIRO FERREIRA
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COMMITTEE MEMBERS :
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LUIZ CARLOS PINHEIRO FERREIRA
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CAYO VINICIUS HONORATO DA SILVA
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EMERSON DIONISIO GOMES DE OLIVEIRA
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MARIA EMILIA SARDELICH
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Data: Dec 15, 2023
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Show Abstract
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This research aims to think through narrative and (auto)biographical writing, aspects linked to my academic training trajectory, considering in particular the teaching practice in the context of Education in Visual Arts. The field of narrative and (auto)biographical research was used as a means, a method, a beacon to elucidate issues that arose both in my teaching practice and also through the narratives of other collaborating teachers. Such experiences were linked to records of memories permeated by different pedagogical spaces, experienced in different segments of basic education, together with training processes. They solidified in searches anchored in the anti-racist commitment when designing studies on Afrofuturism. In this way, the teaching narrative, linked to aspects of life stories and teaching practice, provided an attentive look at the field of ethnic-racial relations based on the application of Law 10,639/03 and 11,645/08. Thus, the research made it possible to conjecture how and in what way the teaching of visual arts dialogues with decolonial practices and aesthetics, as well as anti-racist confrontation, especially based on the reflections that emerged during the narrative interviews, in their school contexts.
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17
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Wesley de Souza Pereira Lopes
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SERIAL EVALUATION PROGRAM IN THE FEDERAL DISTRICT:. PEDAGOGICAL AUTONOMY, PEDAGOGICAL PRACTICE AND THE TEACHER OF VISUAL ARTS IN BASIC EDUCATION
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Advisor : THERESE HOFMANN GATTI RODRIGUES DA COSTA
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COMMITTEE MEMBERS :
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THERESE HOFMANN GATTI RODRIGUES DA COSTA
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LUIZ CARLOS PINHEIRO FERREIRA
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MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
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ANA LUIZA RUSCHEL NUNES
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Data: Dec 18, 2023
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Show Abstract
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The University of Brasília's Sequential Evaluation Program (PAS-UnB), implemented in 1996, is part of the daily lives of many high school students and teachers in the Federal District region. This Master's dissertation follows a narrative research approach with an autobiographical aspect that articulates and unites a theoretical-reflective study on the reverberations caused by PAS-UnB in teaching work. It involves an analysis of the personal journey and the consequences of choices made along this path. Viewing my journey as a teacher, as an individual in a constant learning process within this teaching role, I examine Tardif's propositions (2001, 2014) regarding teaching knowledge and the concept of teaching work as outlined by Tardif and Lessard (2014). I seek to highlight the specificities of knowledge and teachers' own work of the visual arts teachers. Understanding the process of constructing and consolidating the Sequential Evaluation Program applied in the Federal District is crucial. This research aims to explore the state of the art of PAS-UnB, connecting it with episodes from my experience as a student and in practice as a teacher influenced by PAS-UnB.Interwoven with narrative sections, this text is guided by the concepts of teaching autonomy by Contreras (2012), reflective teacher by Schön (2001), delving into the complexity of Liberating Education by Freire (2021), and the construction of the teacher's identity as a historical-cultural subject, based on Vygotsky (2003, 2005). The expectation is to stimulate discussions on these issues, in order to spark discussions on how we can focus pedagogical practice for the sequential evaluation program applied in the Federal District while respecting the pedagogical autonomy of visual arts teachers, prompting a careful look of the intricacies of the pedagogical work within this category.
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18
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Marina Maia Nobre de Figueiredo
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Still things move
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Advisor : KARINA E SILVA DIAS
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COMMITTEE MEMBERS :
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DENISE CONCEICAO FERRAZ DE CAMARGO
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FLORENCE MARIE DRAVET
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GERALDO ORTHOF PEREIRA LIMA
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KARINA E SILVA DIAS
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Data: Dec 18, 2023
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Show Abstract
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This essay arises from reflection on a trip from Brasília to João Pessoa, undertaken in 2021, exploring the experience of the road and its various elements. The focus lies on the driver's perspective, who not only observes the speed on the highway but also adopts a peripheral vision, seeking to extend their gaze to apprehend what passes by quickly. Through this new perspective, the images transform themselves, revealing the perception that everything that appears motionless is actually in constant motion. The essay highlights the nuances of the shades of green that unfold along the journey, while also offering blurred glimpses of the communities along the roadside. Thus, it presents itself as an exercise in observing the landscape from a different angle, observing the dynamics of these scenes that are constantly changing.
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19
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TAINA LUIZE MARTINS RAMOS
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Weaving poetics in art, fashion design, and technology.
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Advisor : SUZETE VENTURELLI
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COMMITTEE MEMBERS :
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SUZETE VENTURELLI
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ANTENOR FERREIRA CORREA
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CARINA LUISA OCHI FLEXOR
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MILTON TERUMITSU SOGABE
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Data: Dec 20, 2023
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Show Abstract
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This practical-theoretical research aims to explore the intersection of art, fashion design, and computational and electronic technologies, with the goal of deepening studies on the development of computational and electronic poetic expressions, supported by textile materiality. Through a transdisciplinary approach that incorporates art in the creation of artistic work, design in the development of a conceptual design product, and computation as a tool and materiality for artifact construction. In this sense, the research aims to contribute to the theoretical and practical development of electronic textile poetic creations in the field of art and technology, through the practical and conceptual exploration of inventive processes within the scope of fashion design and computational art.
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Thesis |
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1
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SAMIRA DA SILVEIRA RABELLO PEREIRA
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Survival of an image: the feminine of Venus-Aphrodite to Marina Abramovic
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Advisor : BIAGIO D ANGELO
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COMMITTEE MEMBERS :
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BIAGIO D ANGELO
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DENISE CONCEICAO FERRAZ DE CAMARGO
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FATIMA APARECIDA DOS SANTOS
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RITA LENIRA BITTENCOURT
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ILDNEY DE FATIMA SOUZA CAVALCANTI
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Data: Mar 29, 2023
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Show Abstract
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This thesis analyzes the survival of Venus in the temporality of contemporary art, reflecting on how Marina Abramovic responds to this enduring presence. These questions point to the presence of an idealization of the feminine, but also contribute to thinking about the role of art in the formation of the collective imagination, they dialogue with questions about the objectification of the subject and the colonization of their bodies. Based on the concept of survival (Nachleben), by Aby Warburg and his analysis, an attempt was made to draw a dialogue to think about narratives and their effects on art and social mentality, and to reflect on representations in the history of art, seeking in the formulas of pathos (Pathosformel) in the iconography of Venus. To this end, a historical overview is presented, to then present the textual and visual analyses, seeking intertextualities. Our study is guided by the problem of how this past inhabits artistic narratives over time, and how Marina Abramovic interacts with these survivals.
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2
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MONICA LUCIA MOLINA SALDARRIAGA
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Counterdiscurses of the myth of identity in the work of libia posada in the light of the semiotics of culture
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Advisor : MARCELO MARI
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COMMITTEE MEMBERS :
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EMERSON DIONISIO GOMES DE OLIVEIRA
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FATIMA APARECIDA DOS SANTOS
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MARCELO MARI
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MARCO ANTONIO PASQUALINI DE ANDRADE
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RITA LUCIANA BERTI BREDARIOLLI
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Data: Mar 31, 2023
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Show Abstract
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The imaginaries and elements that define the identity of social groups are configured from symbolic structures that are products of language, which are disseminated through cultural manifestations, which function as collective memory devices within the semiosphere. This research aimed to analyze how the artistic production of Libia Posada contrasts with the hegemonic discourses on Colombian identity, through the semiotic analysis of the works “Evidencia Clínica (2007)” and “Signos Cardinales (2008)”, generating a reflection from the theoretical-methodological perspective proposed by the Semiotics of Culture. As a result, this analysis is structured into four components: the first deals with motivation and the research problem as an introduction. The second, evidence the conceptual theoretical delimitations of the thesis in which the concepts of culture, semiosphere, identity and portrait, are defined, as well as the relationship between art and medicine that is characteristic of the production of the Colombian artist. The symbolic structures that intertwin and define the artist´s poetics ate worked on in the third component, and in the last component reflection are presented that show how Posada´s works question, instigate and cast doubt on the discourses that, about territory, identity, the condition of human, have marked the history of the Colombian people. This process of analysis opens the possibility of thinking about the works as devices for the social recognition of those who have been systematically made invisible, denied, and erased from the social and political history of the country, through the discourses that are born in the institution and are naturalized in the everyday.
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3
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Luís Müller Posca
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BOA VISTA IMAGINED: representation of the city through art and image mediated by citizen perspectives
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Advisor : BIAGIO D ANGELO
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COMMITTEE MEMBERS :
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RITA APARECIDA DA CONCEIÇÃO RIBEIRO
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KARINE DE MELLO FREIRE
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BIAGIO D ANGELO
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FATIMA APARECIDA DOS SANTOS
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SUZETE VENTURELLI
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Data: Apr 25, 2023
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Show Abstract
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In this research, which is based on the theory of Urban Imaginaries, we investigate the social perception of Boa Vista - RR through the imaginaries of it’s citizens. With a transdisciplinary character, our study is developed through a quali-quantitative approach, collecting citizen perceptions through a structured base questionnaire, whose information is organized in an imagined database, to later quantify them in statistics and, by finally, to interpret them qualitatively through images and works that reflect on the representation of the imaginary of this city. This investigative process starts from a theoretical review of the urban space of the Capital of Roraima, a planned city that is constantly marked by national and international traffic, due to its condition as a border territory, which gives Boa Vista constant processes of change in its landscape and cultural hybridization in its urban fabric. It also deals with the meeting with the Imagined cities project, in particular, about the methodology of working with Urban Imaginaries present in the works of Silva (2001, 2006 and 2014) in dialogue with other theories and authors coming from geography, social studies, psychoanalysis, others, until arriving at the methodological adaptations of these theories and the procedures adopted to reach the objectives of our investigation. As a result, in addition to the theoretical reflections on Boa Vista and its urban imaginaries, the investigation was applied with citizens from Boa Vista within a research sample, a bank with the imagined data was created, organized and analyzed in order to frame the perceptions of the citizen collectivity of Boa Vista within the triadic conception of urban imaginaries – City, citizens and others (perceptions of others). Moreover, these framed data were also revealed and interpreted by artists and works of visual arts in the exhibition “Retratos de Boa Vista Imaginada” (2023). Finally, through this theoretical, methodological and artistic journey, we were able to evoke unique representations of the city of Boa Vista, extracted solely and exclusively from the imaginary of its citizenry.
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4
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PAULO FERNANDO SANTOS NISIO
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Transanimation: Beyond animation
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Advisor : SUZETE VENTURELLI
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COMMITTEE MEMBERS :
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ANTENOR FERREIRA CORREA
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DENISE CONCEICAO FERRAZ DE CAMARGO
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MÔNICA BAPTISTA SAMPAIO TAVARES
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SUZETE VENTURELLI
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SÉRGIO NESTERIUK GALLO
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Data: Apr 26, 2023
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Show Abstract
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This thesis presents an overview of the transformations undergone by animation throughout its history and from the perspective of animation spaces and researcher's memories related to a lifetime of contact with the technique. It seeks to prove the existence of a field belonging to animation and in which, due to technological advances, goes beyond its current condition, giving new meaning to processes such as the state of the spectator, entitled Transanimation. It denotes Transanimation as an expressive tool, close to a poetic manifestation through associations with theories and works and from a research that has as a background, personal experiences related to the conviviality and the deepening of the technique together with its technological developments of the interactive animation and, later, with the human body. The basis was based on the analysis of theorists such as Walter Benjamin, DidiHuberman, André Parente, Sérgio Nesteriuk, Alan Cholodenko, Lúcia Santaella, Donna Haraway and on the artistic and literary works of the artists Zaven Paré, and Suzete Venturelli, among others who developed during the research.
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5
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Diana Patrícia Medina Pereira
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Quand la rencontre est marquée par la photographie.
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Advisor : VIRGINIA TIRADENTES SOUTO
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COMMITTEE MEMBERS :
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VIRGINIA TIRADENTES SOUTO
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ANTENOR FERREIRA CORREA
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FATIMA APARECIDA DOS SANTOS
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PAULO CARNEIRO DA CUNHA FILHO
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CARLA LUZIA DE ABREU
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Data: May 8, 2023
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Show Abstract
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Cette recherche apporte une action artistique qui propose des réflexions et des critiques sur notre transition d'usages et de coutumes avec la photographie une fois passée de l'analogique au numérique. Recordatório est une action artistique qui crée une archive d'images collectées lors de voyages à l'intérieur de l'état du Ceará. Au vu du dossier recueilli, des réflexions sont menées sur l'usage de la photographie analogique pensée dans sa matérialité et comme élément d'affection et de regroupement familial. Partant des collections déjà réalisées, une piste de réflexion est proposée qui adopte une approche phénoménologique comme méthode réflexive où la femme-artiste-chercheuse part d'elle-même pour élargir les réflexions sur les pièces collectées pour cette archive hybride. La méthode utilisée dans la collecte et l'analyse des données était cartographique, ce qui exige un alignement corporel et intellectuel pour l'ensemble du processus de construction de la recherche, c'est-à-dire une plus grande insistance sur le processus que sur l'objectif final. O Recordatório a pour principal objet de recherche les archives photographiques familiales imprimées, en analysant ses possibilités de re-signification dans le contexte social. C'est une enquête artistique qui relie la photographie à la mémoire, à l'archive, au temps et aux relations familiales. L'objectif général de cette recherche est de réfléchir à la façon dont l'utilisation des collections photographiques familiales peut déplacer symbolismes et ouvrir de nouvelles voies de requalification et de resignification de ceux-ci à l'époque contemporaine, en plus de réfléchir sur l'appréciation de la mémoire et des identités locales. Un travail en construction continue est présenté ici, qui déclenche des souvenirs, des expériences passées et des souvenirs intimes des rencontres qui composent sa construction à travers la photographie, défiant le problème actuel de vivre immergé dans une abondance d'images, où la valeur accordée à la photographie imprimée est affaibli.
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6
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Anna Cristina de Araújo Rodrigues
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“Defeating the hydra of time for a brief second”: The Sociological Record of Zofia Rydet
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Advisor : BIAGIO D ANGELO
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COMMITTEE MEMBERS :
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BIAGIO D ANGELO
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MARIA DO ROSÁRIO SAMPAIO SOARES DE SOUSA LEITÃO LUPI BELLO
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SUSANA MADEIRA DOBAL JORDAN
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SUZETE VENTURELLI
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WALTER ROMERO MENON JUNIOR
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Data: Jun 30, 2023
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Show Abstract
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The photographer Zofia Rydet (1911-1997) produced one of the most highlighted works of Polish contemporary art and photography history: Zapis Socjologiczny 1978- 1990 (Sociological Record 1978-1990). In Sociological Record, Ryder sets out to create the most comprehensive photographic register of Polish household life during the period that coincides with the last third of the Polish People’s Republic (1944- 1989). Rydet’s photographs presented in this thesis belong to that record, which is organised according to the cycles of the photographer’s artistic journey. In the discussion of the main research question, photographs from the Ludzie we Wnetrzach (People Indoors) are referenced: pictures of people inside their homes, surrounded by plenty of objects. This research investigates the links between people and their objects, which are always present in the photographs of the Sociological Record, therefore creating an inseparable whole in order to compose a narrative of a country - Poland -, during a specific moment in its history, which spans from the end of the 1960s until the beginning of the 1990s, during which the Sociological Record was conceived and actualized. Photography, art and visual and material culture; time, history and memory emerge throughout the reflections evoked by this research, which bases itself on the historical method, with support from phenomenology and contributions from philosophy, anthropology and sociology. This thesis comprises an introduction, three main chapters and final remarks. Chapter 1 approaches photography as a method for producing images, as well as professionals that employ its techniques in their daily work. Chapter 2 describes Rydet’s personal and professional journey in the context of Europe and Poland, especially during the second half of the 20th century. Chapter 3 is dedicated to studying the Sociological Record, considering the intertwining between character and object, the undertaking of the project, the Polish villages that were photographed, the photographer’s methods and the organization of the collection as an archive. We conclude by presenting the final remarks, followed by the references.
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7
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Iris Helena França de Araujo
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Tombo’s Book .ruins, souvenirs and other stories.
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Advisor : GERALDO ORTHOF PEREIRA LIMA
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COMMITTEE MEMBERS :
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GERALDO ORTHOF PEREIRA LIMA
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EMERSON DIONISIO GOMES DE OLIVEIRA
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KARINA E SILVA DIAS
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AGNALDO ARICE CALDAS FARIAS
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REGINA CÉLIA DE PAULA
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Data: Jun 30, 2023
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Show Abstract
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The Tombo book is an administrative tool for Museums where cultural assets are registered according to their historical and cultural value. In the thesis I use the term Tombo as a “book” is built by the vestige, by the ruin, by the failure and by memory devices such as souvenirs and monuments.
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8
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GREGORIO SOARES RODRIGUES DE OLIVEIRA
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Drawrium: the inexact science of the line (living drawing and other things)
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Advisor : CHRISTUS MENEZES DA NOBREGA
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COMMITTEE MEMBERS :
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CHRISTUS MENEZES DA NOBREGA
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DENISE CONCEICAO FERRAZ DE CAMARGO
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ERNANI PINHEIRO CHAVES
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FERNANDO RIBEIRO DE MORAES BARROS
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LUIZ CLAUDIO MUBARAC
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Data: Jul 17, 2023
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Show Abstract
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This thesis examines the theoretical frictions between science and poetic thinking within the context of visual arts. It argues for drawing as a poetic, political, and pedagogical instrumental concept, associating it with the notion of survival. However, it strives to distance drawing as much as possible from its anthropo- and logocentric determinations, that is, its reliance on verbal, discursive, and exclusively human language. The author presents a series of visual and textual essays that explore historical, aesthetic, philosophical, and scientific references, as well as personal experiences in art projects, research, and curatorial work. The central aim of this thesis is to demonstrate how drawing can be understood as an open, practical, and categorically heterogeneous instrument that cultivates a non-determining survival of knowledge.
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9
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Lucas Monteiro Regis Cunha
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Luigi Serafini’s Codex Seraphinianus (1981): A Visual Encyclopedia
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Advisor : BIAGIO D ANGELO
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COMMITTEE MEMBERS :
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ANDREIA GUERINI
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BIAGIO D ANGELO
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MARCIA MARIA VALLE ARBEX
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SIDNEY BARBOSA
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SUZETE VENTURELLI
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Data: Jul 28, 2023
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Show Abstract
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The Codex Seraphinianus is a world-renowned paraliterary work for its eccentric nature that links illustrations and illegible writing forming a structure very similar to that noted in traditional encyclopedias. In this object, we examine the intertextual and intericonical nature of Codex Seraphinianus in order to support its source as a fantastic and utopian entity that contradicts reductionist visions in the arts, and that at the same time dialogues with a philosophy and about the notions of knowledge. The theoretical support for this research is based on studies on the culture of the saber, the logical process behind the organization of knowledge, the relationship between image and science as an enabler of the construction and transmission of knowledge, and how fiction can establish its microcosm. Finally, it can be noted that the Codex Seraphinianus subjects its own cosmogony, altering and reconstructing the pictorial framework of its reader, and that it induces the interpretation of the reading of a world by presenting itself as a symbolic object of the emancipation of the Enlightenment
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10
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MAYA GONCALVES FERNANDES
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Turning inner content into visible: Kandinsky, a Modern Art neoplatonic?
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Advisor : VERA MARISA PUGLIESE DE CASTRO
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COMMITTEE MEMBERS :
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DANIELA KERN
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EMERSON DIONISIO GOMES DE OLIVEIRA
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LUANA MARIBELE WEDEKIN
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RICARDO NASCIMENTO FABBRINI
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VERA MARISA PUGLIESE DE CASTRO
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Data: Aug 30, 2023
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Show Abstract
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The research sought to analyze the relation between spirituality and materiality in the works and the theory of Wassily Kandinsky (1866-1944), starting from the understanding of the concepts of mimesis and abstraction. This investigation assumes that these two concepts are not theorized by the history of art as universal and, for the artist, are related to the expression of his inner content in matter. To do so, transposing the metaphysics that involves this inner content into the realm of the visible requires an incessant dialog with the ambiguity of matter. In Late Antiquity, the egyptian philosopher Plotinus (203-270 AD) adopted an anti-Platonic stance on art, while Kandinsky, in the first decade of the 20th century, resorted to the traces of Byzantine art and the art of Russian native peoples to establish a syntax of his own. In this investigation, ways of understanding Kandinsky's theoretical and artistic expression are evidenced, considering Plotinus' metaphysics, analyzing images in order to perceive diverse elements belonging to the processes of creation. Thus, it is based on treatises from Plotinus' Enneads, on Kandinsky's textual and visual works, on texts which are used as mediators, such as Johann Wolfgang von Goethe's Doctrine of Colors [1810], and with the current critical fortune of both Plotinus and Kandinsky, which permeate the theme of the research. We seek to establish that there is an understanding in which spirituality acts in an intrinsic way in Kandinsky's artistic and theoretical production. Thus, in three chapters, we intend to scrutinize the syntax formulated by the artist, conjecturing interpretative possibilities for his works, in order to blur the oppositions between mimesis, abstraction, spirituality and materiality. By admitting the deliberately spiritual gaze on the plural associations made by Kandinsky, it will be possible to propose a non-Western look on the Russian artist's works and speculate whether the artist can be considered a Neoplatonist of Modern Art.
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11
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RODOLFO AUGUSTO MELO WARD DE OLIVEIRA
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DIGITAL HUMANITIES: ancient and contemporary art and technology
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Advisor : SUZETE VENTURELLI
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COMMITTEE MEMBERS :
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SUZETE VENTURELLI
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ANTENOR FERREIRA CORREA
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GILBERTO DOS SANTOS PRADO
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MILTON TERUMITSU SOGABE
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MÔNICA BAPTISTA SAMPAIO TAVARES
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Data: Dec 1, 2023
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Show Abstract
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The digital world is increasingly hybridized with what we still consider the real world, to the point of confusion, making existence increasingly intangible and fleeting. In this experimental artistic project, we study and apply ancient techniques and theories together with contemporary technologies. Through a dense bibliographical discussion about the current era we live in, the Anthropocene, we seek to create links with the emerging Digital Humanities discipline and current social movements originating in cyberspace. The evolution of technical objects that were transmuted into artificial intelligence contributed to the creation of new political, social, economic and artistic realities. Through artistic creation with the chlorophyll printing technique and contemporary QR Code technology, we seek, from a Latin American perspective, new 9 types of relationships between art, technology, innovation, society and nature that overcome the current polarization of progress versus preservation and technology versus nature. With this project, we want to expand the understanding of how artistic practices and thoughts can generate this sustainable and innovative dialogue, from the perspective of the Global South, more specifically Latin America, promoting thought reform on the topics mentioned.
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12
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ALINA D ALVA DUCHROW
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In-between: Exile as a place of invention
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Advisor : GERALDO ORTHOF PEREIRA LIMA
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COMMITTEE MEMBERS :
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DENISE CONCEICAO FERRAZ DE CAMARGO
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GERALDO ORTHOF PEREIRA LIMA
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KARINA E SILVA DIAS
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MARIA IVONE DOS SANTOS
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MURILO DOS SANTOS MOSCHETA
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Data: Dec 14, 2023
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Show Abstract
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"In-between: Exile as a place of invention" is an investigation into a work of poetry carried out in exile and migration, it is a reflection on creation as the work of what emerges from relationships and events during displacement. Having the experience of exile as a power of invention and resistance, the multiple margins of this crossing are the beacons with which the artist draws her map: The wandering body that maps new territories, incorporating the idea of cartography, proposed by Deleuze and Guattari, among others, as a device, which is both theoretical and procedural. The Voice as an inscription embodied in the story that seeks to narrate the experience and tell other stories that go beyond the hegemonic narrative of the world. The act of becoming a sorceress, when the artist puts her sensitive body into operation to open up the forces and act in the world and, finally, the relationship with otherness, the construction of the other's identity as a way of understanding one's own. These categories intertwine and complement each other in the distance travelled, the movement is guided by the song of the sirens.
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13
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