Disertación/Tesis

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2024
Disertaciones
1
  • Raienne Pereira da Silva
  • STUDENTS WITH HIGH ABILITIES/GIFTEDNESS: PERCEPTIONS ABOUT ENTRANCE INTO HIGHER COURSES AFTER SPECIALIZED EDUCATIONAL SERVICE IN VISUAL ARTS

  • Líder : ROSANA ANDREA COSTA DE CASTRO
  • MIEMBROS DE LA BANCA :
  • LUIZ CARLOS PINHEIRO FERREIRA
  • MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • MARILENE OLIVEIRA ALMEIDA
  • ROSANA ANDREA COSTA DE CASTRO
  • Data: 19-feb-2024


  • Resumen Espectáculo
  • In recent decades, the training of Visual Arts teachers has been crossed by socio-cultural demands resulting from advances in the conquest of rights for groups that have long been left on the margins. For example, access to visual arts studies in hospital classes, in schools that serve young offenders and in Specialized Educational Service (AEE) adressed to high abilities/ giftedness students. This Research Project was designed with reference to the study by Nogueira (2021) which deals with Specialized Educational Service (AEE) offered to students with High Abilities/Giftedness (AH/SD) and the effects of AEE on entry into the higher education course . AEE is a free supplementary service, offered in Resource Rooms, organized by specific areas. For the study presented here, the Resource Rooms chosen are those that are part of the network of the State Department of Education of the Federal District (DF) in several Administrative Regions of the DF. Among which, it focused on Specific Resource Rooms - Visual Arts. The research question that guides the study is: To what extent do the teaching and learning processes promoted in the Visual Arts Resource Rooms of basic education reflect on the entry into the undergraduate course by students with AH/SD who graduated from AEE? To answer it, the following general objective was defined: Analyze the relationship between the supplementary education promoted by the AEE, via the Specific Resource Room – Visual Arts, and the entry into higher education by students with AH/SD in the area of Art or in related areas. And the following specific objectives (a) Verify the perceptions of graduates about educational supplementation and curricular enrichment in the teaching and learning processes offered by the Visual Arts Resource Room and the contributions of supplementation and processes for the entry of a higher education; and, (b) Analyze the effects of educational supplementation promoted by AEE, via the Specific Resource Room – Visual Arts, on admission to higher education in the area of Art or related areas. The methodological design was outlined by the assumptions of the qualitative approach with the use of the questionnaire instrument, applied by Nogueira (2021) with adaptations, and semi-structured interview procedures. It is expected that the results of this study can contribute to the initial training of visual arts teachers to work in basic education and to the increase in after-school care for resource room graduates, especially when they enter higher education courses in the area in question, or similar ones.

2
  • Luciano Lopes Machado
  • BODY AS AN AUTOBIOGRAPHIC PLACE: performance narratives in everyday life and the teaching Visual Arts

  • Líder : LUIZ CARLOS PINHEIRO FERREIRA
  • MIEMBROS DE LA BANCA :
  • CAYO VINICIUS HONORATO DA SILVA
  • LUCIANA BORRE NUNES
  • LUIZ CARLOS PINHEIRO FERREIRA
  • THERESE HOFMANN GATTI RODRIGUES DA COSTA
  • Data: 28-mar-2024


  • Resumen Espectáculo
  • The dissertation's motto is research consisting of a narrative and autobiographical in line with the concepts of body and performance experienced in everyday life and in the context of Visual Arts teaching. Based on this investigative path, I took on the role of subject and object of study, bringing back memories and experiences that were part of my life story, as well as formative and self-formative aspects. Memories and experiences were shared through the construction of narrative excerpts, which dealt with the place of childhood, adolescence, maturity, the personal and the professional, linked to artistic activities, particularly performance, as well as announcing other experiences with the transition from teaching practice in the area of Mathematics to Visual Arts. When referring to the moment of transition between these areas, where the body of the subject and teacher performed based on clashes, reflections, experiences and anxieties, the nomenclature trans-teacher emerged. In this sense, theoretical and methodological issues associated with the field of narrative and autobiographical research were addressed, as well as about the body and performance, coming from a close look at other research that also explored the body as a territory, a place, a methodological path to instigate reflections, especially within the scope of Visual Arts teaching. Therefore, I believe that the investigation can support other perspectives and reflections on the bodies of subjects, teachers and students, reverberating both in subjective questions about oneself and in the pedagogical practices proposed for teaching Visual Arts.

Tesis
1
  • MARCOS ANTONY COSTA PINHEIRO
  • From the white frame to its margins: the sculptural dimension in poetics motivated by peripheral aesthetics

  • Líder : ANTENOR FERREIRA CORREA
  • MIEMBROS DE LA BANCA :
  • ANTENOR FERREIRA CORREA
  • MARIA BEATRIZ DE MEDEIROS
  • NIVALDA ASSUNCAO DE ARAUJO
  • LUISA ANGÉLICA PARAGUAI DONATI
  • MÔNICA BAPTISTA SAMPAIO TAVARES
  • Data: 30-ene-2024


  • Resumen Espectáculo
  • This research arises from the desire to establish a poetic relationship with the landscape of my city, Itapoã. From this starting point, I investigate the geographical limits and urban spaces of Itapoã in terms of their possibilities of influencing artistic practice in comparison with the planned space of Brasília's pilot plan. The text begins with the search for a deeper understanding of the architecture of Itapoã, seeking to explore its forms and reimagine them in dialogue with the spatiality of the capital, Brasília. The objective is to conduct a poetic-aesthetic study, collecting images and materials to serve as creative vectors for sculptural works of art, inspired and, at times, based on local constructive principles. Throughout the thesis, terms such as "white cube", "framework" and "construction/deconstruction" are frequently used to offer theoretical support to the research and to guide the poetic arrangement of the chapters. Likewise, these metaphors also aim to help understand the expansion of pictorial space and promote debate about the borders between cities. Finally, I explore some interventions in the spaces of Brasília and discuss how these sculptural intervention practices allow us to recover lost habits from direct experience, in addition to creating tensions in controlled spaces

2
  • Adriana Patrício Vignoli
  • FLUXEIRA: FORESTRY MODES IN CONTEMPORARY SCULPTURE PROCESSES

  • Líder : CHRISTUS MENEZES DA NOBREGA
  • MIEMBROS DE LA BANCA :
  • CHRISTUS MENEZES DA NOBREGA
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • HILAN NISSIOR BENSUSAN
  • MANOELA DOS ANJOS AFONSO RODRIGUES
  • MARIA LUIZA PINHEIRO GUIMARÃES FRAGOSO
  • Data: 26-mar-2024


  • Resumen Espectáculo
  • The research aims to experiment with possible paths of Fluxeira sculpture. In short,
    a plant sculpture imbued with soul. Every being that feeds and is fed has a soul to maintain
    energy flow in the world. In this way, forestation happens: if I feed myself, if I feed the
    sculpture and it feeds me back, we forest ourselves. The trajectory of this living art manifests
    itself through artistic residencies. I activate this sculpture just as I plant a garden and travel
    through different territories and cultures to learn from plants. At the same time, research takes
    place on alchemical transformation, biology and plant anthropology. I then promote the
    amalgamation between the sculptural body and the vegetal body, to create other sculptural
    flows in contemporary times.

3
  • Luciana Ceschin
  • INSURGENT VISUALITIES: WOMEN AND AESTHETIC-POLITICAL ACTIONS IN PROTESTS

  • Líder : VIRGINIA TIRADENTES SOUTO
  • MIEMBROS DE LA BANCA :
  • BIAGIO D ANGELO
  • CARLA LUZIA DE ABREU
  • FATIMA APARECIDA DOS SANTOS
  • RONALDO DE OLIVEIRA CORREA
  • VIRGINIA TIRADENTES SOUTO
  • Data: 29-abr-2024


  • Resumen Espectáculo
  • The aim is to analyze the visual aspects of protests and marches led by women. Specifically,
    the study focuses on examining the visual forms created by women for their participation in
    public protest events, with a focus on Brasília and Santiago do Chile, between 2019 and 2023.
    The analysis of the visual aspects of these events considered each of them as integral parts of a
    larger system, revealing elements of the everyday life of protests and how they integrate with
    the context and underlying social history. The collection of photographs resulting from the
    field research was organized to establish relationships between the images, forming itineraries
    that allowed for the elaboration of a narrative about the visual aspects of protests led by
    women. This text explores montage (Warburg, Benjamin, Didi-Huberman) as a tool both for
    organizing the visual archive and for promoting constructive and critical reflection on the
    subject. The visual aspects of the protests demonstrated symbolic exchanges between
    communities and the identification of "forces" that not only shape the events but also reflect
    the ways in which they rise up. These analyses revealed the use of ancient visual forms that
    have been updated, received additions, highlighting the temporal complexities and different
    conceptions of freedom present in the protests, combining references from the past with a
    contemporary language.

4
  • Daniel Mira de Carvalho
  • A (AUTO)POIESES OF THE BRAZILIAN CERRADO: an artistic research through natural phenomenology

  • Líder : DENISE CONCEICAO FERRAZ DE CAMARGO
  • MIEMBROS DE LA BANCA :
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • ANTENOR FERREIRA CORREA
  • KARINA E SILVA DIAS
  • ALEXANDRE TOSHIRO IGARI
  • FÁBIO RUBIO SCARANO
  • Data: 13-may-2024


  • Resumen Espectáculo
  • This paper explores possibilities of reconnection between humans and nature to promote a (re)generative reformulation of thinking and actions. Through artistic process research, it seeks to answer how the experience of natural phenomenology, developed by Goethe in the late 18th century, contributes to understanding poiesis as a form of thought. It considers the power of artistic languages in expanding imaginations, natural principles, and the sensitive, poetic wisdom of traditional communities such as indigenous peoples, aboriginals, Shintoists, and primarily those from the Cerrado region: rural inhabitants, "geraizeiros," quilombolas, indigenous groups, "vazanteiros," coastal communities, and “veredeiros." Initially, it examines thinkers like Goethe, pre-Socratic philosophers, Zen Buddhists, and Spinoza. The aim is to (re)integrate human dimensions and the languages expressed in the Cerrado, experiencing them through poetics, guided by the conceptual premise of autopoiesis by Francisco Varela and Humberto Maturana, and drawing guidance from traditional communities and naturalist scientists of the Cerrado.

2023
Disertaciones
1
  • DANNA LUA IRIGARAY ARAUJO
  • For a Star

  • Líder : KARINA E SILVA DIAS
  • MIEMBROS DE LA BANCA :
  • KARINA E SILVA DIAS
  • GERALDO ORTHOF PEREIRA LIMA
  • LUISA DE ARAUJO GUNTHER
  • FLORENCE MARIE DRAVET
  • Data: 13-feb-2023


  • Resumen Espectáculo
  • About 245 million years ago, around the Permian-Triassic period, a celestial body of large proportions fell to Earth. What remains of it? Its fragments disappeared like dust. But its scar in space lingers for a long time among rivers, mountains, and cities. From the meeting between the star and the ground and between the body and the crater it generated, the cosmic qualities of the landscape can be perceived along with a possible writing of the stars. The artist-researcher then proposes occupying the place of a detective investigator through the collection of clues from this collision by the creation a dossier composed of notes, fragments, and reports.

2
  • Felipe Ramon Moro Rodriguez
  • Spirit's writing

  • Líder : NIVALDA ASSUNCAO DE ARAUJO
  • MIEMBROS DE LA BANCA :
  • NIVALDA ASSUNCAO DE ARAUJO
  • BIAGIO D ANGELO
  • LUISA DE ARAUJO GUNTHER
  • MARIA VIRGINIA GORDILHO MARTINS
  • Data: 28-mar-2023


  • Resumen Espectáculo
  • This research proposes to investigate the concept of free association in Carl
    Jung through my artistic production. This triggers symbols that have the potential for free
    association, and that are painted, engraved and installed, generating flags, banners, paintings
    and other objects, always with an open meaning. The objective of this research is to investigate,
    theoretically and poetically, the potentialities of artistic works of contemporary visual production
    in relation to different meanings raised in the spectator or participant. For that, an analysis of
    bibliography related to analytical psychology was carried out, as well as artistic works that bring
    the possibility of creating new meanings. In addition, I developed an artistic production that
    dialogues with these issues. The visual production took place throughout the course of the
    research, influencing the bibliographic and visual survey, which, in turn, exerted significant
    influences on poetic production, in a feedback process.

3
  • Diego Sousa Bresani
  • Photographic portrait as a theater: dissertation-pieces for a dance in the mud and for the bark of the dead master

  • Líder : DENISE CONCEICAO FERRAZ DE CAMARGO
  • MIEMBROS DE LA BANCA :
  • ALEXANDRE ROMARIZ SEQUEIRA
  • CHRISTUS MENEZES DA NOBREGA
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • LUISA DE ARAUJO GUNTHER
  • Data: 25-abr-2023


  • Resumen Espectáculo
  • This research consists of two dissertation-pieces written from real experiences lived by
    Diego Bresani. The works aim to investigate and analyze the making of the photographic
    portrait when it occurs in radical situations, considering as a central point of their
    reflections the portrait as an event of multiple layers, complex relationships that vary
    depending on the situation in which it is performed. Two specific situations were
    developed in this research. The first theatrical piece, “A dance in the mud”, deals with
    the experience that the photographer lived in doing portraits of contemporary Brazilian
    Far-right politicians. The second play, “The bark of the dead master”, consists of the
    author's report on the experience of photographing the funeral of his master and friend,
    theater director Hugo Rodas.

4
  • Fernando Hisatoni Pericin
  • INSIDE, OUTSIDE, AROUND THE CLOSET: AN ART FOR LIVING, SURVIVING, EXISTING, AND RESISTING DISAPPEARANCE.

  • Líder : DENISE CONCEICAO FERRAZ DE CAMARGO
  • MIEMBROS DE LA BANCA :
  • CHRISTUS MENEZES DA NOBREGA
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • FERNANDO DO NASCIMENTO GONCALVES
  • SUZETE VENTURELLI
  • Data: 28-abr-2023


  • Resumen Espectáculo
  • Memories, photographs, videos, and notes about violence, pain, hope, justice, and confusion are the materials and outcomes of this artistic research, which focuses on the fight against LGBTQIA+ phobia. Specifically, it aims to address the events surrounding the dilemmas of gay men. These are images, news, poetry, and writings dedicated to provoking reflection on what could be considered the "epistemology of the closet": violence against the LGBTQIA+ community and their struggles; hopes and revolt; pain and healing. Informed by activism and the diverse propositions of contemporary art, this work traverses multiple languages and references: posters, such as those of the Guerrilla Girls; textual elements, like those of Jenny Holzer; reinterpretations of (im)possible flags, such as those of Bruno Baptistelli; textual reconstructions, like those of André Vargas; visual and lexical repetitions, like those of many artists; as well as photographs, narrations, and videos. When deciding to come out of the closet or stay within it, it is urgent not only to fight for one's existence and equality, but also to survive violence, desire to live in peace, and resist attacks. The search is for the existence as human beings, to appear as individuals, and to prevent the real or symbolic extermination promoted by Brazilian society, which has the highest rate of killings of homosexuals and transsexuals worldwide.

5
  • LYNN CARONE
  • MOBILE PLACES: CartoGraphies of the self and the world and the invention of heterotopies.

  • Líder : SUZETE VENTURELLI
  • MIEMBROS DE LA BANCA :
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • HUGO FERNANDO SALINAS FORTES JUNIOR
  • LUISA DE ARAUJO GUNTHER
  • SUZETE VENTURELLI
  • Data: 28-abr-2023


  • Resumen Espectáculo
  • This theoretical-practical research investigates the specificities of places as propelling agents in the realization of works and - in their unfolding - the displacements that occur during the artistic processes, both through technology and through discursive and narrative aspects in reinterpretations of the environment and of those who inhabit them. By establishing relations between the graphication (spelling) of the self-subjectivity) and of worlds (‘otherx’), estrangement, questioning of the self and of what is seen are revealed; alterity is experienced and the construction of heterotopies and places other becomes possible. It is intended to cover how the poetic work, inserted in a specific place, is articulated and defined through its properties, such as those of technological origin, qualities or meanings produced and related between an “object”, a “place” or an “event” and the resulting displacements. The methodology engulfs the appropriation of the concept of site specificity, in the derivative functional site, in an interweaving with Cartography and poetic considerations of chance, used in actions that depart from the specificities and contexts of places through the use of digital technologies. The theoretical contributions of Miwon Kwon, James Meyer, Gilles Deleuze, Félix Guattari and Michel Foucault were fundamental in the elaboration of this dialogue between theory and practice. The dissertation is divided into four parts: the first presents a brief historical context of site specificity and its methodological articulation with Cartography. The second addresses site specificity as the place of subjectivity, while the third is as a space of invisibility, represented by political bodies in the documentary video art Tran-flying, the video-performance There are many layers and the video art piece The Paradise is for everyone. At last, in the fourth part, site specificity is placed in dialogue with nature and the cycles of life and death through the video and animation Samsara and the photographical series Offertory and Body animal.

6
  • Rodrigo Xavier Lara
  • MIRRORS: Filmic (Self)biography of adolescents deprived of liberty

  • Líder : LUIZ CARLOS PINHEIRO FERREIRA
  • MIEMBROS DE LA BANCA :
  • LUIZ CARLOS PINHEIRO FERREIRA
  • CAYO VINICIUS HONORATO DA SILVA
  • ROSANA ANDREA COSTA DE CASTRO
  • LUTIERE DALLA VALLE
  • Data: 28-abr-2023


  • Resumen Espectáculo
  • The pedagogical performance in the socio-educational system for teaching in internment measures, despite being guaranteed by the law, faces challenges to promote significant reflections in adolescents for the return to social life and the non-recurrence in the commission of new infractions. The presented text of the master's research entitled: "Mirrors: Filmic (Self)biography of adolescents deprived of liberty", proposes an approach through life narratives, considering it as a possible way in an attempt to contribute to the resocialization, that is, the return to family and social life of adolescents in conflict with the law. In this context, we intend to evaluate the possible contributions of the methodological proposal entitled “Mirrors Project”, linked and remodeled as a practice of filmic (self)biography in the construction of a place of speech for young people with restricted freedom; likewise, conjecture how it subsidized the construction of life projects; and which reflections on self-image were built in this process.

7
  • LAURA TEÓFILO GONZALEZ
  • Agencies formed in the refuge of children when forced to the territorial displacement.

  • Líder : CAYO VINICIUS HONORATO DA SILVA
  • MIEMBROS DE LA BANCA :
  • CAYO VINICIUS HONORATO DA SILVA
  • LUIZ CARLOS PINHEIRO FERREIRA
  • MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • SUMAYA MATTAR
  • Data: 22-may-2023


  • Resumen Espectáculo
  • In this research, the agencies formed in the refuge of children living in the CCBB Occupation, located in Brasília, Federal District, were investigated when this children were forced to the territorial displacement, caused by the eviction action carried out by the Government of the Federal District during the Covid-19 virus pandemic. Ethnography research practices were carried out, in a qualitative and rhizomatic manner, with children and adults in the CCBB Occupation over a year in the research field. The investigation justifies the study of Art, Non-formal Education and Political Activism as possible agencies for the refuge of children. The practice of field research was intermediated by the role of social educator and activist at the Escola do Cerrado (E.C. or escolinha do cerrado), a collective and Association created within the CCBB Occupation by children, their families and social activists. The research aims to question whether the experience in the Occupation of the CCBB, with the Escola do Cerrado and, mainly, with the children linked to these situations can present ways of planning/systematizing educational proposals to act in the emergency refuge of these and other children in analogous situations when their common territories are under threat or conflict and seek support for real problems when dealing with homelessness and forced displacement.

8
  • CAIO SATO SCHWANTES
  • Mechanics of Applied Imagination: essays on the fictionalization of the Real

  • Líder : LUISA DE ARAUJO GUNTHER
  • MIEMBROS DE LA BANCA :
  • LUISA DE ARAUJO GUNTHER
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • RENATA AZEVEDO REQUIÃO
  • Data: 25-may-2023


  • Resumen Espectáculo
  • The present investigation seeks to catalog forms of fictionalization of the world and agglutinates them under the nomenclature of Mechanics of Applied Imagination - an attempt to understand how fictions work. The work is divided into two regimes: diurnal and nocturnal. In the diurnal regime, starting from the Real, Perception and Language - understood here as areas of articulation of these fictions - five fields are identified through which these fictions act: fiction; lie; fantasy; the absurd; and speculation. Finally, specific artistic forms of manifestation of the Mechanics of Applied Imagination are described and proposed. In the nocturnal regime, the Mechanics, guided by divagation, navigate through the themes of Shadows, Dream, Fate, Death, Delirium, Reverie and Desire

9
  • ABEL TEIXEIRA ESCOVEDO
  • Arts of Practice: Everyday Portraits beneath the waste

  • Líder : CAYO VINICIUS HONORATO DA SILVA
  • MIEMBROS DE LA BANCA :
  • CAYO VINICIUS HONORATO DA SILVA
  • LUIZ CARLOS PINHEIRO FERREIRA
  • CRISTINA PATRIOTA DE MOURA
  • LUTIERE DALLA VALLE
  • Data: 29-may-2023


  • Resumen Espectáculo
  • This research takes on everyday representations made by homeless people that live in Universidade de Brasília’s neighbourhood. Anchored in anthropological research and in investigation based in arts I question images as part of the formation of an account and its relation with everyday life tactics. For these purposes I analyze photos taken by the investigation participants together with own notebook, field drawings through diagrams proposed as tools of analisis and production of everyday accounts from the participants and learning and lenguage processes that occurred in the exercise with photography and image.

10
  • ADRIEL DALMOLIN ZORTÉA
  • Warburgian questions posed to Adriana Varejão's plastic art

  • Líder : VERA MARISA PUGLIESE DE CASTRO
  • MIEMBROS DE LA BANCA :
  • DANIELA QUEIRÓZ CAMPOS
  • BIAGIO D ANGELO
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • VERA MARISA PUGLIESE DE CASTRO
  • Data: 13-jul-2023


  • Resumen Espectáculo
  • This Master's Dissertation aims to interrogate Adriana Varejão's art (1964) from theoretical questions opened by the notion of Pathosformel, created by the GermanJewish theorist and art historian Aby Warburg (1866-1929), and also in his developments thought by the french philosopher and art historian Georges Didi-Huberman (1953). Faced with the impossibility of delving into the artist's extensive production and, when pondering about presumed gaps, as well as questioning structuring elements of the work and critical fortune, the research focuses specifically on the relationship she articulates between issues of art contemporary art and what the critics linked to the Baroque in Brazil, advancing the hypothesis of a dialogue between the referred plastic art and the Pathosformeln. In this sense, by respecting the warburgian primacy of the image to conduct the art historian's investigations and structuring itself through an associative logic between images, the work seeks to reflect, from the problematization of certain nexuses of his poetics, without obliterating the remission of the artist to the density of the Baroque and portuguese tiles, firstly, on the ethos/pathos polarity in the series Azulejões (2000-), as well as, then, it investigates relations between the Pathosformel of destruction and the series Línguas e Cortes (1998-), or the cooling of the Pathosformeln compared to the recent Ruínas de Carne (2021-2022).

11
  • Ana Paula Barbosa Ferreira Ottoni
  • "How to design memories in the midst of change: the story of a futile attempt to build in the midst of collapse."

  • Líder : DENISE CONCEICAO FERRAZ DE CAMARGO
  • MIEMBROS DE LA BANCA :
  • EDSON RODRIGUES MACALINI
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • KARINA E SILVA DIAS
  • LUIZ CARLOS PINHEIRO FERREIRA
  • Data: 27-oct-2023


  • Resumen Espectáculo
  • This work reports on artistic research that has as its object the attempt to create memories, based on the artist's experience of instability due to the constant changes of address in her life. It discusses the ways in which images and/or artmaking can favor the production of an autobiographical memory, derived from the sensation of the body falling. Here, the fall is understood because of instability and at the same time a place for an imaginary journey, in which the intersections and poetic possibilities of the imaginary, memory and displacement will be investigated.

12
  • Gustavo Azevedo da Silva Santos
  • Ceilândia and the urban invasions

  • Líder : LUISA DE ARAUJO GUNTHER
  • MIEMBROS DE LA BANCA :
  • LUISA DE ARAUJO GUNTHER
  • CHRISTUS MENEZES DA NOBREGA
  • KARINA E SILVA DIAS
  • GABRIEL TEIXEIRA RAMOS
  • Data: 27-oct-2023


  • Resumen Espectáculo
  • The mission to build Brasília encouraged the migration of thousands of workers, mainly from the brazilian Northeast. Although they were building the new capital of Brazil, which should belong to all Brazilians, the workers were prevented from inhabiting it. Ceilândia, the most populous city in the Federal District, was born from a Campaign to Eradicate Invasions, in 1971, which removed more than 80,000 inhabitants. This paper proposes urban invasions in order to outline new narratives and promote the (re)occupation of these territories. Art about the right to the city, surveillance and urban mobility.

13
  • Felipe Matheus Pires da Conceição
  • In the night that encloses, to walk in the penumbra

  • Líder : KARINA E SILVA DIAS
  • MIEMBROS DE LA BANCA :
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • FABRICIA CABRAL DE LIRA JORDAO
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • Data: 31-oct-2023


  • Resumen Espectáculo
  • Compiling travelogs, while-walking-texts, diaries, photographs, drawings and maps, ‘In the night that encloses, to walk in the penumbra’ is constituted by the repeated practice of crossing a specific space in the city of Goiânia, inscribed in the Jaó, Santa Genoveva and Jardim Guanabara sectors, since the notably gloomy period of the COVID-19 Pandemic. The research is developed, therefore, through the poetic gesture of walking, a method that allows the investigation of the various layers of this spatiality, which was extracted from its supposed banality. In this sense, the landscape, the urban histories of these and other sites, the artist’s memories, raised during the experience with the path, and everyday events are examined, scrutinizing the ways of walking at night - and also in the days - faced with a panorama of political, social, intersubjective and family instabilities and the persistent anti-democratic threat, which seems to be linked to a recent past.

14
  • Auber Silvino Bettinelli
  • Creation processes of games in the context of art: Mediation as a field of experiments

  • Líder : CHRISTUS MENEZES DA NOBREGA
  • MIEMBROS DE LA BANCA :
  • CECILIA ALMEIDA SALLES
  • CHRISTUS MENEZES DA NOBREGA
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • THERESE HOFMANN GATTI RODRIGUES DA COSTA
  • Data: 24-nov-2023


  • Resumen Espectáculo
  • From a critical analysis of my practice in art education and theoretical references, I propose the organization of a method that guides the creation of games (non-electronic), titled "Z Manual - a map for creating games in the context of art". The term "games in the context of art" is used to delineate playful poetic games and devices conceived within cultural mediation actions in art and culture institutions. These are projects that seek to relate to diverse audiences, developed by multidisciplinary teams of artist-educators. The manual is divided into five creation modules that interact with each other during the creation of a playful poetic proposition. This organization emerges from my observations of the creative processes of the artist-educator collective Zebra5 Jogo e Arte, of which I am a member. Created in 2008, the group explores games as a device to propose participatory experiences in art. The research uses, as examples, games created by the collective with my participation, situating how the creation modules integrate each of the creative processes in distinct ways.

15
  • Ana Beatriz Marques Penna
  • “Here, a museum would fit”: an analysis of itinerancies in the exhibition “Esto no es un museo/ This is not a museum”

  • Líder : CAYO VINICIUS HONORATO DA SILVA
  • MIEMBROS DE LA BANCA :
  • CAYO VINICIUS HONORATO DA SILVA
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • LUIZ CARLOS PINHEIRO FERREIRA
  • LUCIANA GRUPPELLI LOPONTE
  • Data: 28-nov-2023


  • Resumen Espectáculo
  • This dissertation proposes an analysis of cases of itinerant art museums associated with the exhibition 'Esto no es un museo/ Isto não é um museu.' This analysis is constructed through three layers of investigation: the first layer is specifically dedicated to the exhibition act, drawing upon studies of walking as an aesthetic practice (Careri, 2013), institutional critique (Fraser, 2008), and exhibition models articulated by Post-critical Museology (Dewdney; Dibosa; Walsh, 2013). The second layer seeks to map audience dynamics, drawing from Warner's formulations (2016), Audience Studies, and the concept of a 'distributed museum' by Dewdney, Dibosa, and Walsh (2013). The third layer focuses exclusively on cultural mediation, informed by the work of Larrosa (2017), Hoff (2014), and Hoff and Honorato (2018), as well as research in the field of itinerancy, such as Xavier (2012) and Gonzalez (2022). Curated by Martí Peran, the exhibition that defines the sample of cases investigated in this research was held at the Centro Cultural São Paulo (CCSP) in 2015. This exhibition may represent one of the most significant efforts in cataloging mobile artifacts conceived as alternative instruments to the art institution. Consequently, this research aims to contribute to meaningful and potentially broader analyses of itinerancy in the context of visual arts, with a focus on the acts of instituting and mediating in mobile artifacts, which hint at a potential cultural democracy.

16
  • Shirley Fiuza Dias
  • THE NARRATIVE AS A LIGHTHOUSE: education from a decolonial, anti-racist and intercultural perspective in the trajectories of art teachers at SEDF

  • Líder : LUIZ CARLOS PINHEIRO FERREIRA
  • MIEMBROS DE LA BANCA :
  • LUIZ CARLOS PINHEIRO FERREIRA
  • CAYO VINICIUS HONORATO DA SILVA
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • MARIA EMILIA SARDELICH
  • Data: 15-dic-2023


  • Resumen Espectáculo
  • This research aims to think through narrative and (auto)biographical writing, aspects linked to my academic training trajectory, considering in particular the teaching practice in the context of Education in Visual Arts. The field of narrative and (auto)biographical research was used as a means, a method, a beacon to elucidate issues that arose both in my teaching practice and also through the narratives of other collaborating teachers. Such experiences were linked to records of memories permeated by different pedagogical spaces, experienced in different segments of basic education, together with training processes. They solidified in searches anchored in the anti-racist commitment when designing studies on Afrofuturism. In this way, the teaching narrative, linked to aspects of life stories and teaching practice, provided an attentive look at the field of ethnic-racial relations based on the application of Law 10,639/03 and 11,645/08. Thus, the research made it possible to conjecture how and in what way the teaching of visual arts dialogues with decolonial practices and aesthetics, as well as anti-racist confrontation, especially based on the reflections that emerged during the narrative interviews, in their school contexts.

17
  • Wesley de Souza Pereira Lopes
  • SERIAL EVALUATION PROGRAM IN THE FEDERAL DISTRICT:. PEDAGOGICAL AUTONOMY, PEDAGOGICAL PRACTICE AND THE TEACHER OF VISUAL ARTS IN BASIC EDUCATION

  • Líder : THERESE HOFMANN GATTI RODRIGUES DA COSTA
  • MIEMBROS DE LA BANCA :
  • THERESE HOFMANN GATTI RODRIGUES DA COSTA
  • LUIZ CARLOS PINHEIRO FERREIRA
  • MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • ANA LUIZA RUSCHEL NUNES
  • Data: 18-dic-2023


  • Resumen Espectáculo
  • The University of Brasília's Sequential Evaluation Program (PAS-UnB), implemented in 1996, is part of the daily lives of many high school students and teachers in the Federal District region. This Master's dissertation follows a narrative research approach with an autobiographical aspect that articulates and unites a theoretical-reflective study on the reverberations caused by PAS-UnB in teaching work. It involves an analysis of the personal journey and the consequences of choices made along this path. Viewing my journey as a teacher, as an individual in a constant learning process within this teaching role, I examine Tardif's propositions (2001, 2014) regarding teaching knowledge and the concept of teaching work as outlined by Tardif and Lessard (2014). I seek to highlight the specificities of knowledge and teachers' own work of the visual arts teachers. Understanding the process of constructing and consolidating the Sequential Evaluation Program applied in the Federal District is crucial. This research aims to explore the state of the art of PAS-UnB, connecting it with episodes from my experience as a student and in practice as a teacher influenced by PAS-UnB.Interwoven with narrative sections, this text is guided by the concepts of teaching autonomy by Contreras (2012), reflective teacher by Schön (2001), delving into the complexity of Liberating Education by Freire (2021), and the construction of the teacher's identity as a historical-cultural subject, based on Vygotsky (2003, 2005). The expectation is to stimulate discussions on these issues, in order to spark discussions on how we can focus pedagogical practice for the sequential evaluation program applied in the Federal District while respecting the pedagogical autonomy of visual arts teachers, prompting a careful look of the intricacies of the pedagogical work within this category.

18
  • Marina Maia Nobre de Figueiredo
  • Still things move

  • Líder : KARINA E SILVA DIAS
  • MIEMBROS DE LA BANCA :
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • FLORENCE MARIE DRAVET
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • Data: 18-dic-2023


  • Resumen Espectáculo
  • This essay arises from reflection on a trip from Brasília to João Pessoa, undertaken in 2021, exploring the experience of the road and its various elements. The focus lies on the driver's perspective, who not only observes the speed on the highway but also adopts a peripheral vision, seeking to extend their gaze to apprehend what passes by quickly. Through this new perspective, the images transform themselves, revealing the perception that everything that appears motionless is actually in constant motion. The essay highlights the nuances of the shades of green that unfold along the journey, while also offering blurred glimpses of the communities along the roadside. Thus, it presents itself as an exercise in observing the landscape from a different angle, observing the dynamics of these scenes that are constantly changing.

19
  • TAINA LUIZE MARTINS RAMOS
  • Weaving poetics in art, fashion design, and technology.

  • Líder : SUZETE VENTURELLI
  • MIEMBROS DE LA BANCA :
  • SUZETE VENTURELLI
  • ANTENOR FERREIRA CORREA
  • CARINA LUISA OCHI FLEXOR
  • MILTON TERUMITSU SOGABE
  • Data: 20-dic-2023


  • Resumen Espectáculo
  • This practical-theoretical research aims to explore the intersection of art, fashion design, and computational and electronic technologies, with the goal of deepening studies on the development of computational and electronic poetic expressions, supported by textile materiality. Through a transdisciplinary approach that incorporates art in the creation of artistic work, design in the development of a conceptual design product, and computation as a tool and materiality for artifact construction. In this sense, the research aims to contribute to the theoretical and practical development of electronic textile poetic creations in the field of art and technology, through the practical and conceptual exploration of inventive processes within the scope of fashion design and computational art.

Tesis
1
  • SAMIRA DA SILVEIRA RABELLO PEREIRA
  • Survival of an image: the feminine of Venus-Aphrodite to Marina Abramovic

  • Líder : BIAGIO D ANGELO
  • MIEMBROS DE LA BANCA :
  • BIAGIO D ANGELO
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • FATIMA APARECIDA DOS SANTOS
  • RITA LENIRA BITTENCOURT
  • ILDNEY DE FATIMA SOUZA CAVALCANTI
  • Data: 29-mar-2023


  • Resumen Espectáculo
  • This thesis analyzes the survival of Venus in the temporality of contemporary art, reflecting on how Marina Abramovic responds to this enduring presence. These questions point to the presence of an idealization of the feminine, but also contribute to thinking about the role of art in the formation of the collective imagination, they dialogue with questions about the objectification of the subject and the colonization of their bodies. Based on the concept of survival (Nachleben), by Aby Warburg and his analysis, an attempt was made to draw a dialogue to think about narratives and their effects on art and social mentality, and to reflect on representations in the history of art, seeking in the formulas of pathos (Pathosformel) in the iconography of Venus. To this end, a historical overview is presented, to then present the textual and visual analyses, seeking intertextualities. Our study is guided by the problem of how this past inhabits artistic narratives over time, and how Marina Abramovic interacts with these survivals.

2
  • MONICA LUCIA MOLINA SALDARRIAGA
  • Counterdiscurses of the myth of identity in the work of libia posada in the light of the semiotics of culture

  • Líder : MARCELO MARI
  • MIEMBROS DE LA BANCA :
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • FATIMA APARECIDA DOS SANTOS
  • MARCELO MARI
  • MARCO ANTONIO PASQUALINI DE ANDRADE
  • RITA LUCIANA BERTI BREDARIOLLI
  • Data: 31-mar-2023


  • Resumen Espectáculo
  • The imaginaries and elements that define the identity of social groups are configured from symbolic structures that are products of language, which are disseminated through cultural manifestations, which function as collective memory devices within the semiosphere. This research aimed to analyze how the artistic production of Libia Posada contrasts with the hegemonic discourses on Colombian identity, through the semiotic analysis of the works “Evidencia Clínica (2007)” and “Signos Cardinales (2008)”, generating a reflection from the theoretical-methodological perspective proposed by the Semiotics of Culture. As a result, this analysis is structured into four components: the first deals with
    motivation and the research problem as an introduction. The second, evidence the conceptual theoretical delimitations of the thesis in which the concepts of culture, semiosphere, identity and
    portrait, are defined, as well as the relationship between art and medicine that is characteristic of the production of the Colombian artist. The symbolic structures that intertwin and define the artist´s poetics ate worked on in the third component, and in the last component reflection are presented that show how Posada´s works question, instigate and cast doubt on the discourses that, about territory, identity, the condition of human, have marked the history of the Colombian people. This process of analysis opens the possibility of thinking about the works as devices for the social recognition of those who have been systematically made invisible, denied, and erased from the social and political history of the country, through the discourses that are born in the institution and are naturalized in the everyday.

3
  • Luís Müller Posca
  • BOA VISTA IMAGINED: representation of the city through art and image mediated by citizen perspectives

  • Líder : BIAGIO D ANGELO
  • MIEMBROS DE LA BANCA :
  • RITA APARECIDA DA CONCEIÇÃO RIBEIRO
  • KARINE DE MELLO FREIRE
  • BIAGIO D ANGELO
  • FATIMA APARECIDA DOS SANTOS
  • SUZETE VENTURELLI
  • Data: 25-abr-2023


  • Resumen Espectáculo
  • In this research, which is based on the theory of Urban Imaginaries, we investigate the social perception of Boa Vista - RR through the imaginaries of it’s citizens. With a transdisciplinary character, our study is developed through a quali-quantitative approach, collecting citizen perceptions through a structured base questionnaire, whose information is organized in an imagined database, to later quantify them in statistics and, by finally, to interpret them qualitatively through images and works that reflect on the representation of the imaginary of this city. This investigative process starts from a theoretical review of the urban space of the Capital of Roraima, a planned city that is constantly marked by national and international traffic, due to its condition as a border territory, which gives Boa Vista constant processes of change in its landscape and cultural hybridization in its urban fabric. It also deals with the meeting with the Imagined cities project, in particular, about the methodology of working with Urban Imaginaries present in the works of Silva (2001, 2006 and 2014) in dialogue with other theories and authors coming from geography, social studies, psychoanalysis, others, until arriving at the methodological adaptations of these theories and the procedures adopted to reach the objectives of our investigation. As a result, in addition to the theoretical reflections on Boa Vista and its urban imaginaries, the investigation was applied with citizens from Boa Vista within a research sample, a bank with the imagined data was created, organized and analyzed in order to frame the perceptions of the citizen collectivity of Boa Vista within the triadic conception of urban imaginaries – City, citizens and others (perceptions of others). Moreover, these framed data were also revealed and interpreted by artists and works of visual arts in the exhibition “Retratos de Boa Vista Imaginada” (2023). Finally, through this theoretical, methodological and artistic journey, we were able to evoke unique representations of the city of Boa Vista, extracted solely and exclusively from the imaginary of its citizenry.

4
  • PAULO FERNANDO SANTOS NISIO
  • Transanimation: Beyond animation

  • Líder : SUZETE VENTURELLI
  • MIEMBROS DE LA BANCA :
  • ANTENOR FERREIRA CORREA
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • MÔNICA BAPTISTA SAMPAIO TAVARES
  • SUZETE VENTURELLI
  • SÉRGIO NESTERIUK GALLO
  • Data: 26-abr-2023


  • Resumen Espectáculo
  • This thesis presents an overview of the transformations undergone by animation throughout its history and from the perspective of animation spaces and researcher's memories related to a lifetime of contact with the technique. It seeks to prove the existence of a field belonging to animation and in which, due to technological advances, goes beyond its current condition, giving new meaning to processes such as the state of the spectator, entitled Transanimation. It denotes Transanimation as an expressive tool, close to a poetic manifestation through associations with theories and works and from a research that has as a background, personal experiences related to the conviviality and the deepening of the technique together with its technological developments of the interactive animation and, later, with the human body. The basis was based on the analysis of theorists such as Walter Benjamin, DidiHuberman, André Parente, Sérgio Nesteriuk, Alan Cholodenko, Lúcia Santaella, Donna Haraway and on the artistic and literary works of the artists Zaven Paré, and Suzete Venturelli, among others who developed during the research.

5
  • Diana Patrícia Medina Pereira
  • Quand la rencontre est marquée par la photographie.

  • Líder : VIRGINIA TIRADENTES SOUTO
  • MIEMBROS DE LA BANCA :
  • VIRGINIA TIRADENTES SOUTO
  • ANTENOR FERREIRA CORREA
  • FATIMA APARECIDA DOS SANTOS
  • PAULO CARNEIRO DA CUNHA FILHO
  • CARLA LUZIA DE ABREU
  • Data: 08-may-2023


  • Resumen Espectáculo
  • Cette recherche apporte une action artistique qui propose des réflexions et des critiques sur notre transition d'usages et de coutumes avec la photographie une fois passée de l'analogique au numérique. Recordatório est une action artistique qui crée une archive d'images collectées lors de voyages à l'intérieur de l'état du Ceará. Au vu du dossier recueilli, des réflexions sont menées sur l'usage de la photographie analogique pensée dans sa matérialité et comme élément d'affection et de regroupement familial. Partant des collections déjà réalisées, une piste de réflexion est proposée qui adopte une approche phénoménologique comme méthode réflexive où la femme-artiste-chercheuse part d'elle-même pour élargir les réflexions sur les pièces collectées pour cette archive hybride. La méthode utilisée dans la collecte et l'analyse des données était cartographique, ce qui exige un alignement corporel et intellectuel pour l'ensemble du processus de construction de la recherche, c'est-à-dire une plus grande insistance sur le processus que sur l'objectif final. O Recordatório a pour principal objet de recherche les archives photographiques familiales imprimées, en analysant ses possibilités de re-signification dans le contexte social. C'est une enquête artistique qui relie la photographie à la mémoire, à l'archive, au temps et aux relations familiales. L'objectif général de cette recherche est de réfléchir à la façon dont l'utilisation des collections photographiques familiales peut déplacer symbolismes et ouvrir de nouvelles voies de requalification et de resignification de ceux-ci à l'époque contemporaine, en plus de réfléchir sur l'appréciation de la mémoire et des identités locales. Un travail en construction continue est présenté ici, qui déclenche des souvenirs, des expériences passées et des souvenirs intimes des rencontres qui composent sa construction à travers la photographie, défiant le problème actuel de vivre immergé dans une abondance d'images, où la valeur accordée à la photographie imprimée est affaibli.

6
  • Anna Cristina de Araújo Rodrigues
  • “Defeating the hydra of time for a brief second”: The Sociological Record of Zofia Rydet

  • Líder : BIAGIO D ANGELO
  • MIEMBROS DE LA BANCA :
  • BIAGIO D ANGELO
  • MARIA DO ROSÁRIO SAMPAIO SOARES DE SOUSA LEITÃO LUPI BELLO
  • SUSANA MADEIRA DOBAL JORDAN
  • SUZETE VENTURELLI
  • WALTER ROMERO MENON JUNIOR
  • Data: 30-jun-2023


  • Resumen Espectáculo
  • The photographer Zofia Rydet (1911-1997) produced one of the most highlighted works of Polish contemporary art and photography history: Zapis Socjologiczny 1978- 1990 (Sociological Record 1978-1990). In Sociological Record, Ryder sets out to create the most comprehensive photographic register of Polish household life during the period that coincides with the last third of the Polish People’s Republic (1944- 1989). Rydet’s photographs presented in this thesis belong to that record, which is organised according to the cycles of the photographer’s artistic journey. In the discussion of the main research question, photographs from the Ludzie we Wnetrzach (People Indoors) are referenced: pictures of people inside their homes, surrounded by plenty of objects. This research investigates the links between people and their objects, which are always present in the photographs of the Sociological Record, therefore creating an inseparable whole in order to compose a narrative of a country - Poland -, during a specific moment in its history, which spans from the end of the 1960s until the beginning of the 1990s, during which the Sociological Record was conceived and actualized. Photography, art and visual and material culture; time, history and memory emerge throughout the reflections evoked by this research, which bases itself on the historical method, with support from phenomenology and contributions from philosophy, anthropology and sociology. This thesis comprises an introduction, three main chapters and final remarks. Chapter 1 approaches photography as a method for producing images, as well as professionals that employ its techniques in their daily work. Chapter 2 describes Rydet’s personal and professional journey in the context of Europe and Poland, especially during the second half of the 20th century. Chapter 3 is dedicated to studying the Sociological Record, considering the intertwining between character and object, the undertaking of the project, the Polish villages that were photographed, the photographer’s methods and the organization of the collection as an archive. We conclude by presenting the final remarks, followed by the references.

7
  • Iris Helena França de Araujo
  • Tombo’s Book .ruins, souvenirs and other stories.

  • Líder : GERALDO ORTHOF PEREIRA LIMA
  • MIEMBROS DE LA BANCA :
  • GERALDO ORTHOF PEREIRA LIMA
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • KARINA E SILVA DIAS
  • AGNALDO ARICE CALDAS FARIAS
  • REGINA CÉLIA DE PAULA
  • Data: 30-jun-2023


  • Resumen Espectáculo
  • The Tombo book is an administrative tool for Museums where cultural assets are registered according to their historical and cultural value. In the thesis I use the term Tombo as a “book” is built by the vestige, by the ruin, by the failure and by memory devices such as souvenirs and monuments.

8
  • GREGORIO SOARES RODRIGUES DE OLIVEIRA
  • Drawrium: the inexact science of the line (living drawing and other things)

  • Líder : CHRISTUS MENEZES DA NOBREGA
  • MIEMBROS DE LA BANCA :
  • CHRISTUS MENEZES DA NOBREGA
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • ERNANI PINHEIRO CHAVES
  • FERNANDO RIBEIRO DE MORAES BARROS
  • LUIZ CLAUDIO MUBARAC
  • Data: 17-jul-2023


  • Resumen Espectáculo
  • This thesis examines the theoretical frictions between science and poetic thinking within the context of visual arts. It argues for drawing as a poetic, political, and pedagogical instrumental concept, associating it with the notion of survival. However, it strives to distance drawing as much as possible from its anthropo- and logocentric determinations, that is, its reliance on verbal, discursive, and exclusively human language. The author presents a series of visual and textual essays that explore historical, aesthetic, philosophical, and scientific references, as well as personal experiences in art projects, research, and curatorial work. The central aim of this thesis is to demonstrate how drawing can be understood as an open, practical, and categorically heterogeneous instrument that cultivates a non-determining survival of knowledge.

9
  • Lucas Monteiro Regis Cunha
  • Luigi Serafini’s Codex Seraphinianus (1981): A Visual Encyclopedia

  • Líder : BIAGIO D ANGELO
  • MIEMBROS DE LA BANCA :
  • ANDREIA GUERINI
  • BIAGIO D ANGELO
  • MARCIA MARIA VALLE ARBEX
  • SIDNEY BARBOSA
  • SUZETE VENTURELLI
  • Data: 28-jul-2023


  • Resumen Espectáculo
  • The Codex Seraphinianus is a world-renowned paraliterary work for its eccentric nature that links illustrations and illegible writing forming a structure very similar to that noted in traditional encyclopedias. In this object, we examine the intertextual and intericonical nature of Codex Seraphinianus in order to support its source as a fantastic and utopian entity that contradicts reductionist visions in the arts, and that at the same time dialogues with a philosophy and about the notions of knowledge. The theoretical support for this research is based on studies on the culture of the saber, the logical process behind the organization of knowledge, the relationship between image and science as an enabler of the construction and transmission of knowledge, and how fiction can establish its microcosm. Finally, it can be noted that the Codex Seraphinianus subjects its own cosmogony, altering and reconstructing the pictorial framework of its reader, and that it induces the interpretation of the reading of a world by presenting itself as a symbolic object of the emancipation of the Enlightenment

10
  • MAYA GONCALVES FERNANDES
  • Turning inner content into visible: Kandinsky, a Modern Art neoplatonic?

  • Líder : VERA MARISA PUGLIESE DE CASTRO
  • MIEMBROS DE LA BANCA :
  • DANIELA KERN
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • LUANA MARIBELE WEDEKIN
  • RICARDO NASCIMENTO FABBRINI
  • VERA MARISA PUGLIESE DE CASTRO
  • Data: 30-ago-2023


  • Resumen Espectáculo
  • The research sought to analyze the relation between spirituality and materiality in the works and the theory of Wassily Kandinsky (1866-1944), starting from the understanding of the concepts of mimesis and abstraction. This investigation assumes that these two concepts are not theorized by the history of art as universal and, for the artist, are related to the expression of his inner content in matter. To do so, transposing the metaphysics that involves this inner content into the realm of the visible requires an incessant dialog with the ambiguity of matter. In Late Antiquity, the egyptian philosopher Plotinus (203-270 AD) adopted an anti-Platonic stance on art, while Kandinsky, in the first decade of the 20th century, resorted to the traces of Byzantine art and the art of Russian native peoples to establish a syntax of his own. In this investigation, ways of understanding Kandinsky's theoretical and artistic expression are evidenced, considering Plotinus' metaphysics, analyzing images in order to perceive diverse elements belonging to the processes of creation. Thus, it is based on treatises from Plotinus' Enneads, on Kandinsky's textual and visual works, on texts which are used as mediators, such as Johann Wolfgang von Goethe's Doctrine of Colors [1810], and with the current critical fortune of both Plotinus and Kandinsky, which permeate the theme of the research. We seek to establish that there is an understanding in which spirituality acts in an intrinsic way in Kandinsky's artistic and theoretical production. Thus, in three chapters, we intend to scrutinize the syntax formulated by the artist, conjecturing interpretative possibilities for his works, in order to blur the oppositions between mimesis, abstraction, spirituality and materiality. By admitting the deliberately spiritual gaze on the plural associations made by Kandinsky, it will be possible to propose a non-Western look on the Russian artist's works and speculate whether the artist can be considered a Neoplatonist of Modern Art.

11
  • RODOLFO AUGUSTO MELO WARD DE OLIVEIRA
  • DIGITAL HUMANITIES: ancient and contemporary art and technology

  • Líder : SUZETE VENTURELLI
  • MIEMBROS DE LA BANCA :
  • SUZETE VENTURELLI
  • ANTENOR FERREIRA CORREA
  • GILBERTO DOS SANTOS PRADO
  • MILTON TERUMITSU SOGABE
  • MÔNICA BAPTISTA SAMPAIO TAVARES
  • Data: 01-dic-2023


  • Resumen Espectáculo
  • The digital world is increasingly hybridized with what we still consider
    the real world, to the point of confusion, making existence increasingly
    intangible and fleeting. In this experimental artistic project, we study and apply
    ancient techniques and theories together with contemporary technologies.
    Through a dense bibliographical discussion about the current era we live in, the
    Anthropocene, we seek to create links with the emerging Digital Humanities
    discipline and current social movements originating in cyberspace. The evolution
    of technical objects that were transmuted into artificial intelligence contributed
    to the creation of new political, social, economic and artistic realities. Through
    artistic creation with the chlorophyll printing technique and contemporary QR
    Code technology, we seek, from a Latin American perspective, new 9 types of
    relationships between art, technology, innovation, society and nature that
    overcome the current polarization of progress versus preservation and
    technology versus nature. With this project, we want to expand the
    understanding of how artistic practices and thoughts can generate this
    sustainable and innovative dialogue, from the perspective of the Global South,
    more specifically Latin America, promoting thought reform on the topics
    mentioned.

12
  • ALINA D ALVA DUCHROW
  • In-between: Exile as a place of invention

  • Líder : GERALDO ORTHOF PEREIRA LIMA
  • MIEMBROS DE LA BANCA :
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • MARIA IVONE DOS SANTOS
  • MURILO DOS SANTOS MOSCHETA
  • Data: 14-dic-2023


  • Resumen Espectáculo
  • "In-between: Exile as a place of invention" is an investigation into a work of poetry carried out in exile and migration, it is a reflection on creation as the work of what emerges from relationships and events during displacement. Having the experience of exile as a power of invention and resistance, the multiple margins of this crossing are the beacons with which the artist draws her map: The wandering body that maps new territories, incorporating the idea of cartography, proposed by Deleuze and Guattari, among others, as a device, which is both theoretical and procedural. The Voice as an inscription embodied in the story that seeks to narrate the experience and tell other stories that go beyond the hegemonic narrative of the world. The act of becoming a sorceress, when the artist puts her sensitive body into operation to open up the forces and act in the world and, finally, the relationship with otherness, the construction of the other's identity as a way of understanding one's own. These categories intertwine and complement each other in the distance travelled, the movement is guided by the song of the sirens.

13
  • Rosa Dias Schramm
  • Volume: space creation and other flights

  • Líder : GERALDO ORTHOF PEREIRA LIMA
  • MIEMBROS DE LA BANCA :
  • SUZANE WEBER DA SILVA
  • FLORENCE MARIE DRAVET
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • NARA WALDEMAR KEISERMAN
  • Data: 15-dic-2023


  • Resumen Espectáculo
  • About dance improvisation, movement experience and actions carried out with the environment based on the notion of gravitational vertical with the study of walking and spirals.

2022
Disertaciones
1
  • RAFAEL DA ESCÓSSIA LIMA
  • Constitution of the Kween of Scotland

  • Líder : CHRISTUS MENEZES DA NOBREGA
  • MIEMBROS DE LA BANCA :
  • CHRISTUS MENEZES DA NOBREGA
  • FABRICIA CABRAL DE LIRA JORDAO
  • KARINA E SILVA DIAS
  • LUISA DE ARAUJO GUNTHER
  • Data: 11-ago-2022


  • Resumen Espectáculo
  • The Kween of Scotland is a legal entity constituted by norms developed during the Master’s in Visual Arts at the University of Brasília. Based on the observation of some power projects, such as the guilt as a mechanism of racial disaccountability and the sovereignty as an exercise of necropolitics in the global South, I mapped this territory from the maternal inheritance of my surname and inhabited it with Organs that try to control themselves: the Prime Minister (Executive Power), Apostolic Ecumene (Judicial Power) and Venerable Master Mason (Legislative Power). Through institutional (self)criticism and dialogue with other artist-researchers, I propose an experiment of interdisciplinarity between Visual Arts and Law.

2
  • Leonardo Alves Sá
  • “AFRICA DOESN'T EXIST”: IMAGE AND VISUAL REPRESENTATION IN PHOTOGRAPHS BY RYSZARD KapuścińskI

  • Líder : BIAGIO D ANGELO
  • MIEMBROS DE LA BANCA :
  • BIAGIO D ANGELO
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • CARINA LUISA OCHI FLEXOR
  • RENATA AZEVEDO REQUIÃO
  • Data: 14-sep-2022


  • Resumen Espectáculo
  • It is urgent to discuss the models of visual representation in the context of creation, enjoyment and consumption of images, so the research starts from the approximations between visual arts and communication based on documentary, expressive and aesthetic perspectives from the catalog of the exhibition of photographs África en la Mirada, which shows the journey of Polish writer Ryszard Kapuściński on the African continent, from 1962 to the early 2000s. There is a direct iconographic correlation between his work and the great lack of images about the representation of that continent. The objective is to investigate aspects of poetics and meaning that involve the statute of visual representation and the perspective that determines the perception of the world. The object of study is the creation process and the meaning of the photographs in the exhibition. The theoretical basis goes through the historical generalization of the visual representation presented in Kapuściński work and is discussed analytically with a focus on the research object. The methodological procedure works on the meaning of the photograph and the relationship between the sign and the reference, and assumes that images carry great symbolism and are an area of research in motion. To indicate the intertextual elements presented in the images, the photographic signs and the linguistic signs are articulated from their intersemiotic relationships. As a symptom of what the images show, the Africa in Kapuściński's work is part of the imagination produced by the European and does not actually exist; the deepest connection that can be made is with the subject who produces it, it is their form of representation based on exotic images and subalternity and they do not validate all forms of existence over a space and cannot even define them.

3
  • Luciany Oliveira Osório Borges
  • ARTISTIC CONNECTIONS: Experiences with student-artists with high skills in times of pandemic

  • Líder : MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • MIEMBROS DE LA BANCA :
  • LUISA DE ARAUJO GUNTHER
  • MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • MARLENE BARBOSA DE FREITAS REIS
  • ROSANA ANDREA COSTA DE CASTRO
  • Data: 26-sep-2022


  • Resumen Espectáculo
  • This research proposes to investigate how the esthetic experiences fostered, within the Artistic Connection Teaching Project (PECA), contributed to the enhancement  of the critical look and to the stimulation of artistic practice among the student-artists assisted in the High Skills Resource Room and Giftedness (SRAH/SD) from Brazlândia in Federal District (DF) during the pandemic period, through the analysis of students' imagery productions and their dialogue with the works. The artistic productions of these young people are the unfolding of virtual interactions with artists and their pieces in a context of social isolation, in which the project was used as a link to bring together artists from several parts of the country, abroad and students from public school system in DF. For this purpose, the research leans towards dialogue with Paulo Freire (2019; 2020) and Bell Hooks (2017; 2020) in the analysis of the project as a liberating practice and criticality promoting, with authors such as Joseph Renzulli (2004; 2014), Howard Gardner (1995); Ângela Virgolim (2005), Eunice Alencar and Denise Fleith (2001; 2009) who discuss the concept of high abilities/giftedness, based on studies which surround the concepts of experience, presented by Jorge Larrosa (2002; 2021) and John Dewey ( 2010). Such authors are references to the design of dialogic relationships in this research, which chooses A/r/tography as a methodological approach to analyze the creative techniques involving artists, students and my practice as an artist-teacher-researcher referenced by Belidson Dias and Rita Irwin (2013).

4
  • Lília Rodrigues Sampaio
  • VISUAL ARTS, CREATIVITY AND DIGITAL TECHNOLOGIES: Possible Connections in Basic Education

  • Líder : ROSANA ANDREA COSTA DE CASTRO
  • MIEMBROS DE LA BANCA :
  • JULIANA GUIMARÃES FARIA
  • CAYO VINICIUS HONORATO DA SILVA
  • GILBERTO LACERDA DOS SANTOS
  • ROSANA ANDREA COSTA DE CASTRO
  • Data: 26-sep-2022


  • Resumen Espectáculo
  • This dissertation is the result of a research that investigated the professional
    development of visual arts teachers for using Digital Technologies of Information,
    Communication, and Expression (TICE) in basic education. Given the determinations of
    the Base Nacional Comum Curricular (Brasil, 2017), which indicates the articulation
    between TICE, Languages and its technologies, there was a need to come up with
    research emphasizing the Art component, specifically the visual arts, regarding the use
    of digital technologies in classes to favor students' creativity. From the context of the
    Núcleo de Tecnologias Educacional - NTE, which is responsible for the professional
    development of basic education teachers, through their experiences in class. An
    overview of the possibilities and difficulties for the effective application of digital
    technological artifacts in visual arts classes was drawn up. Taking Glăveanu's (2012)
    ideas on creativity as references, creativity was assumed for the research as a
    sociocultural phenomenon, understood in the interdependence and dynamics between
    subjects and contexts. The study revealed that there is no denying that TICE is
    increasingly imbricated in environments, permeating economic, social, and cultural
    relations. Multipliers of the NTE, teachers, students, and everyone involved in the
    teaching-learning process are social actors who, by acting, transform and re-signify
    relationships in schools. Along with the visual arts teachers who participated in a course
    offered at the NTE, the data for the research was gathered by interviews with the use of
    a semi-structured interview instrument along with multipliers of the Núcleo de
    Tecnologia Educacional (NTE), which is responsible for the professional development
    of teachers for the pedagogical use of TICE. The results suggest that the professional
    development provided by the NTE is relevant for the use of TICE in the classroom, on
    the other hand, they indicate that there is still a need for adjustments. Principally,
    concerning infrastructure in schools. The realities between the NTE training units and
    the Educational Institutions are disparate, lacking articulation between them, both
    concerning infrastructure issues and the knowledge by teachers that the NTE exist and
    are available for professional development. Regarding creativity, both multipliers and
    visual arts teachers recognize that TICE is promising for the progress of creativity in
    basic education students.

5
  • Robson Fernando Castro Pinto
  • Isolation Actions Book - or - pandemic performance protocol for later

  • Líder : LUISA DE ARAUJO GUNTHER
  • MIEMBROS DE LA BANCA :
  • RITA FERREIRA DE AQUINO
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • FABRICIA CABRAL DE LIRA JORDAO
  • LUISA DE ARAUJO GUNTHER
  • Data: 13-oct-2022


  • Resumen Espectáculo
  • In this work-text, we present the creation of 30 “pandemic performance protocols for later”, accompanied by quotations and references in performances and other artistic and non-artistic actions carried out in the city, or not; bringing an affective and personal mapping according to aesthetic approximations of different natures of these protocols with other artists, collectives, works, and actions mentioned, and of the approximations of these protocols among them. We also present a report of one of the protocols carried out. In addition to presenting works and actions that approach, the way they are arranged brings a narrative that translates part of the thinking of this mapping and the construction of knowledge that bases, influence, and provokes it.

6
  • TAIS FERNANDES KOSHINO
  • The jardim book: the path of digital rocks

  • Líder : LUISA DE ARAUJO GUNTHER
  • MIEMBROS DE LA BANCA :
  • CHRISTUS MENEZES DA NOBREGA
  • GILBERTO DOS SANTOS PRADO
  • KARINA E SILVA DIAS
  • LUISA DE ARAUJO GUNTHER
  • Data: 17-oct-2022


  • Resumen Espectáculo
  • As for the jardim, beyond the first look, enter jardim. jardim is a network of works that is being constructed since August 2020. At the present time of writing, it consists of the works (nods): jardim |枯山水 | garden, digital simulation programmed by KOSHA and Mut; jardim_practice - series of images generated within the simulation between March 11 and April 12, 2021, registered as NFT; other images generated within the simulation and transformed into NFT; jardins - digital collage of more than 170 images generated by people from different countries who visited the simulation; jardim on canvas - series composed of four paintings made from images generated within the simulation, acrylic on canvas, 80x80cm, 2020; jardins de fuga, a gallery that displays 42 images received, from November 8 to December 3, 2021, during the activity made in the exhibition Linhas de Fuga promoted at XI COMA (PPGAV/UnB). And also here, for these words in this text, in which it is possible to see glimpses of the process of creating jardim and the poetic research that moves through a network of poetic questions.

7
  • JULIA MOANA FERREIRA DA NOBREGA
  • Feminist Cultural Mediation and the Power Relantionships 

  • Líder : MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • MIEMBROS DE LA BANCA :
  • MARIA EMILIA SARDELICH
  • CAYO VINICIUS HONORATO DA SILVA
  • LUISA DE ARAUJO GUNTHER
  • MARIA DEL ROSARIO TATIANA FERNANDEZ MENDEZ
  • Data: 20-oct-2022


  • Resumen Espectáculo
  • Cultural mediation is a field of education in visual arts that mainly acts on museums and is affected by the conflicts and possibilities of that institution. This research comes from the understanding of cultural mediation as an autonomous, critical and creator field of activity. It reflects on the debates surrounding critical mediation, as discussed by researchers such as Mônica Hoff and Carmen Mörsch, and on Carla Akotirene’s concept of intersectional feminism, to think about the possibilities of action on cultural mediation in a context of gender inequality in art and museums to find the field of a feminist cultural mediation and its political-pedagogical role.

    Beyond gathering bibliographical research, this dissertation uses experience reports to materialize the experience of cultural mediation in research. This developed into a concept of map-dissertation, through fragmented writing and path-reading as a metaphor of cultural mediation, which has as a proposition, to exercise the poetic-pedagogical research possibilities of this profession.

    Lastly, this investigation has found that feminist cultural mediation needs a process of the self and of collective politization, one that develops not only through gender issues in museums, but also through several oppressions and power relationships which determine and influence the art/public/museum dynamic.

8
  • Letícia dos Santos Miranda
  • Hurricane-tornado

  • Líder : GERALDO ORTHOF PEREIRA LIMA
  • MIEMBROS DE LA BANCA :
  • LÍVIA FLORES
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • LUISA DE ARAUJO GUNTHER
  • Data: 26-oct-2022


  • Resumen Espectáculo
  • Getting close to what never existed. Seeing throught the crack. Inventing memories. Rewriting a story. All these movements give a North to the presented research on this dissertation, a poem book dedicated to twos grandmothers already gone, a trying communication with the ghosts. The accessing lines to the past are in the present and need to be slowly unraveld, as it is the only way to trail a less hostile future. This attempt to produce memories comes supported in the collection of objects and images. The discarted itens present themselves as windows, littles spaces through which you can see, even if in a blurry way. From this binding comes the image of the artist as a narrator-excavator, someone who finds, in the rests, in what's left, a chance to create - an environment, an idea, a book, a narrative. The story of the defeated is a abandoned terrain, scarsely populated. What's known is that is full of possibilities (visual, imagetic and linguistic). In this research, the scarceness is an access point. The scarceness, the absence and what's not shown draw paths. Talking about what's not been seen is inventing a way of making exist a forgotten past. It's honoring the bodies, the names and the voices that exist no more and can't tell, for themlseves, what was lived. The image of the "Furacão Tornado" (Hurricane Whirlwind) emphasizes and materializes the twists and turns, the blows, the grains that come up when the wind rings. A "Furacão Tornado" raised through words, images and assemblies. Coming into this cone, in this girating thing, the words settle down. This phenomenon is announced in the shape of a book, because a book is also a way of seeing.

9
  • Nilson Pereira da Silva Filho
  • THE THINGS OF THE WORLD

  • Líder : GERALDO ORTHOF PEREIRA LIMA
  • MIEMBROS DE LA BANCA :
  • MARIA IVONE DOS SANTOS
  • GERALDO ORTHOF PEREIRA LIMA
  • KARINA E SILVA DIAS
  • LUISA DE ARAUJO GUNTHER
  • Data: 28-oct-2022


  • Resumen Espectáculo
  • This research moves through waters, sometimes sinking, sometimes seeking for air.

    The investigations of this work were elaborated in a practical-theoretical path, from sets of essays and poems, implying in daydreams about the word, language, image, observation of objects and collections, these understood as fragments for the construction of a body of work and research.

    The current and past writings, what came before and after, the floating pages, the real and imagined images, the post-collected objects in pockets, turns and turns around the same axis and the walk looking for something.

    These issues, built between 2020 and 2022, weave the dissertation towards the artist’s relationship with different languages and the artwork itself.

10
  • Lucas Silva de Lira
  • The critical debate between Mário Pedrosa and Sylvio de Vasconcellos

  • Líder : MARCELO MARI
  • MIEMBROS DE LA BANCA :
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • MANOELA ROSSINETTI RUFINONI
  • MARCELO MARI
  • PRISCILA ROSSINETTI RUFINONI
  • VERA MARISA PUGLIESE DE CASTRO
  • Data: 28-oct-2022


  • Resumen Espectáculo
  • During the construction of Brasilia, a particular debate about the problem between art criticism
    and architecture pleaded by two Brazilian intellectuals in 1957, in the printed media, touched
    directly on the pending issue of an architectural criticism in Brazil and placed on the order of the
    day the dilemma between form and function of Brazilian modern architecture. Mário Pedrosa, an
    art critic and political activist, then announced, in a series of articles, the arrival of the
    "architecture-work of art" phase, and at the same time proposed a new critique for Brazilian
    architecture. In turn, the architect and historian of architecture Sylvio de Vasconcellos, diverging
    from Pedrosa’s point of view, exposed in a direct way, in his significant refutation, that it was
    time to broaden the critical perspective on the architectural phenomenon, reiterating a certain
    corporate bias. The main objective is to rescue the critical debate between Mário Pedrosa and
    Sylvio de Vasconcellos, in order to highlight its relevance to the historiography of the criticism of
    Brazilian architectural modernism. Therefore, a comparison between the perspectives of both
    authors will be carried out, in the light of the socio-cultural context of the 1950s, with regard to
    their critiques of Brazilian modern architecture. The scrutiny of this debate proved capable of
    tying loose ends that existed in local architectural criticism in that feverish stage of national
    modernization. Especially from the questions he raised about the artistic autonomy of
    architecture and our social reality, against the background of the idea of a new modern and
    democratic capital.

11
  • André Luiz Ribeiro Vitorino
  • Subjectivity, afection and uncanny: a curatorial study for Sérgio Carvalho's collection

  • Líder : EMERSON DIONISIO GOMES DE OLIVEIRA
  • MIEMBROS DE LA BANCA :
  • EMERSON DIONISIO GOMES DE OLIVEIRA
  • BIAGIO D ANGELO
  • VERA MARISA PUGLIESE DE CASTRO
  • LUIZ CLAUDIO DA COSTA
  • Data: 23-nov-2022


  • Resumen Espectáculo
  • This study investigates the main strategies of the compilation of Sérgio Carvalho’s collection and the mechanisms used by the collector for its promotion. After a theorical investigation regarding a contemporary subject and also the promotion mechanisms of art objects, we hereby present a curatorial discourse that shows and hightlights this path. This study focuses on a contemporary subject from a fragmentary condition seeking relations between the uncanny (das unheimliche) and the ways the artists project themselves in the objects of the collection. Located in Brasília – DF, Carvalho’s collection is composed of more than two thousand and six hundred pieces of art made by two hundred and nineteen contemporary artists (mostly Brazilians), therefore becoming one of the biggest private collection of contemporary brazilian art.  Nowadays, the collection is being institucionalized and, soon, it will be available to researchers and to the public.

12
  • Marcelo da Silva Brito
  • The poster: subjectivities and protagonism in political demonstrations

  • Líder : VIRGINIA TIRADENTES SOUTO
  • MIEMBROS DE LA BANCA :
  • DANIELA FAVARO GARROSSINI
  • JOAO HENRIQUE LODI AGRELI
  • NIVALDA ASSUNCAO DE ARAUJO
  • VIRGINIA TIRADENTES SOUTO
  • Data: 20-dic-2022


  • Resumen Espectáculo
  • The poster has historical functions and has its application in small businesses, search for lost
    objects, animals or missing persons, a form of advertising used by small and large companies.
    For this research, the poster will be pointed to its political aspect, starting from theories
    regarding formal concepts. Submerging into political territory, the analyses are introduced from
    the first decades of the 20th century, a period of implementation of ideologies such as Socialism
    and Nazism, a time when the poster, along with other means of information, has a relevant role
    in the unfolding of historical, political, and social events. The artifacts produced in the First
    World War by participating countries and that aimed at the adherence of their populations to the
    conflict are also taken into consideration. In Brazil, posters also occupy spaces and play a
    leading role in different events. Their utility is based on the repression of the military regime in
    1964, also in activism against the military government in Brazil and Latin America. In the period
    of transition from the military regime to the re-democratization, the poster was also present as a
    media artifice and was within the reach of the masses. Another selected moment for this work is
    the first two decades of the 21st century, with posters that, in a way, influence contemporary
    graphic productions. This research also includes a case study on the posters of the
    demonstrations that took place in 2021 and 2022 in Brazil and in other countries around the
    world. For this, an adaptation was made in the Framework for Analysis of Political Visual
    Communication, proposed by the authors Ghosh and Tewari (2021). The research findings
    come from the semantic elements, object, meaning and pragmatics of the analyzed posters.

13
  • DARLEY PEREIRA CARDOSO
  • Affordance and Enaction in Verbivocovisual Poetics: Interactive Perspectives

  • Líder : CLEOMAR DE SOUSA ROCHA
  • MIEMBROS DE LA BANCA :
  • ANTENOR FERREIRA CORREA
  • CLEOMAR DE SOUSA ROCHA
  • MARIA LUIZA PINHEIRO GUIMARÃES FRAGOSO
  • SUZETE VENTURELLI
  • Data: 22-dic-2022


  • Resumen Espectáculo
  • The study investigates the interactive perspectives of verbivocovisual poetics in technological
    arts based on the embodiment of the user agent, under concepts of the human corporeity in
    Merleau-Ponty, the affordances in James Gibson's and the enaction inFrancisco Varella. The
    research methodology is based on the phenomenology of cyberception through the analysis of
    phenomenological strata expanded and adapted for the context of cyberculture. The research
    also presents a summary of the artistic practice carried out during the study and analysis of
    works by other artists. Notes are made on issues related to perception and emotional aspects of
    bodily interaction with the art technological’s work with verbivocovisual poetics and its affective
    interfaces.

Tesis
1
  • Mauricio Remigio Viana
  • WITHOUT LEADERS AND WITHOUT MASTERS: SELF-FORMATION AND COUNTERVISUALITIES IN THE ANARCOPUNK MOVEMENT

  • Líder : LUIZ CARLOS PINHEIRO FERREIRA
  • MIEMBROS DE LA BANCA :
  • CAYO VINICIUS HONORATO DA SILVA
  • LUIZ CARLOS PINHEIRO FERREIRA
  • MARIA LIDIA BUENO FERNANDES
  • RAIMUNDO MARTINS DA SILVA FILHO
  • THIAGO FERNANDO SANT''''''''ANNA E SILVA
  • Data: 18-jul-2022


  • Resumen Espectáculo
  • Based on the understanding that we must consider the learnings in network of experiences and in their interactions as a selfformation, this thesis investigates how anarchopunks learned how to be anarchopunks. When it’s considered the multiple orders of anarchopunk formation, associated with contestation, inadequacy, networks, the collective and do it yourself, it is understood that the moments, which generates desires, optimized by the collective, individualize autonomy and cause inventive encouragement. Accordingly with the conceptions of the territorial body, of the learning-in-the-fight and countervisualities, it shows that autonomy is manifested in anarchopunks, and enables the creation of other ways of seeing and existing, like other realities, of opposition to authority, which refuse and sabotagem na existing real. The data production was conducted through exploratory monitoring of experiences and activities carried out by anarchopunks, through participant observation, visual data and narrative interviews that I carried out with six interlocutors from the five regions of Brazil.

2
  • Teófilo Augusto da Silva
  • Computational Art: What to retain, how to retain? What to keep, how to keep?
  • Líder : SUZETE VENTURELLI
  • MIEMBROS DE LA BANCA :
  • SUZETE VENTURELLI
  • ANTENOR FERREIRA CORREA
  • ALBERTO DE CAMPO
  • GILBERTO DOS SANTOS PRADO
  • Data: 20-jul-2022


  • Resumen Espectáculo
  • This thesis aims to contribute for the conservation of the aesthetic intention of computational artworks. Computational artworks represent a threshold between artistic and scientific activities and that represents a different way of reflecting on the world and on cultural products called technologies. For today's society in which computational processes are increasingly hybridized, with increasingly "natural" interfaces, the computational artworks are the result of the translation of algorithms into a machine language and this is a point of reflection on how we human beings we relate to these codes and translations between our will (intention) and sensory results (computational works of art). Artists who use Programming Languages in their artworks must pay attention to the nature of technology that always walks towards its obsolescence in order to evolve into a new version of itself, this leads us to a problem in historical preservation of the computational work of art that until then has resulted in the loss of many of these works that can no longer be executed on current computers and whose original hardware and software are no longer found. It is up to the artist to be concerned not with technological maintenance, but with the preservation of poetic instruction, that is, we must find a way to make clear the aesthetic intentions of artists with their creations. This thesis presents a suggestion of a protocol for the aesthetic conservation of computational works from historical and ontological reflections that demonstrate the relationship between technologies and the message that each work intends to provide. Therefore, it is divided into two parts: The first one called “What to retain? What to keep?” presents the first three chapters (“A history of Computational Art”, “The Art and Technologies of Information and Computing” and “An ontology of Computational Art”) and aims to reflect on the formative processes of Computational Art and the essence of it, to understand what should be preserved. The second part “How to retain? How to save?” with the fourth chapter (“Experiences in Conservation of Works in Unstable Media”) and fifth chapter (“Protocol for the Conservation of Computer Art Work”), they discuss practical conservation experiences, specific theories for this problem and the presentation of the C7Art model, which receives this name because it is derived from Model C4 but uses a minimum of seven levels and is intended for use in artistic objects. The fifth chapter also presents the tests carried out with the protocol in the EVO_CIRCUITO (Media Lab/UnB) and FUTURE VOICES (SN4TP/UdK) works.

3
  • Paulo Eduardo Lannes Souza
  • Maldicidade: Violence and eroticism in Miguel Rio Branco's images

  • Líder : VERA MARISA PUGLIESE DE CASTRO
  • MIEMBROS DE LA BANCA :
  • VERA MARISA PUGLIESE DE CASTRO
  • BIAGIO D ANGELO
  • DENISE CONCEICAO FERRAZ DE CAMARGO
  • ALEXANDRE RICARDO DOS SANTOS
  • IARA LIS FRANCO SCHIAVINATTO
  • Data: 14-dic-2022


  • Resumen Espectáculo
  • This academic work aims to investigate the work of Miguel Rio Branco from the photo book Maldicidade, published in 2014 by Cosac Naify. From images that bring up marginalized spaces and characters, it is possible to verify the construction of a narrative based on the montage of photographs that show reflections that go beyond the documentary aspect and the social denunciation concerning the presented socio-historical context. In this way, a reflection is carried out on the artistic heritages that involve the object of study, elucidating the use of photographic series created between 1970 and 1980 and in a specific support (the book) without any reference to the origin of each of the pieces. From the reading of authors such as Georges Didi-Huberman, Roland Barthes and Susan Sontag, one recognizes a production that, instead of existing as a chaotic retrospective elaborated by the photographer himself, the object reveals a critique of urban contemporaneity – that confronts the idea of progress and modernity of Brazilian society by bringing to light an essentially suburb landscape. Thus, the hypothesis of this thesis is that the construction of this visual narrative grounds a particular thought about violence and eroticism. From Maldicidade, Miguel Rio Branco shuffled the notions of pain and pleasure are around a suburb scene, tensioning both elements and also raising a clash over the apparent melancholy that surrounds many of the characters in the scene.

4
  • Marinalva Nicácio de Moura
  • Interpresence: art performance incorporating technological devices as a potency of feeling

  • Líder : ANTENOR FERREIRA CORREA
  • MIEMBROS DE LA BANCA :
  • ANTENOR FERREIRA CORREA
  • SUZETE VENTURELLI
  • LUCIANA HARTMANN
  • BERNARD ANDRIEU
  • GILBERTO DOS SANTOS PRADO
  • Data: 23-dic-2022


  • Resumen Espectáculo
  • This thesis presents itself as a way of producing materiality, archive, investigation and
    epistemological status of interpresence performances intertwined with other theoretical and
    artistic references. The questions that motivate this research are: a) What is the interpresence
    as an estesiological sensation? b) Is it possible to provoke a sensation of interpresence when
    creating performances with the use of devices incorporated on clothes? c) Can technological
    devices mediate and amplify the expressive/sensorial capacities of the interpresence in
    performance art? These questions lead to the goals of this research: as a general objective, we
    chose to investigate the interpresence as an aesthetic notion that is supported by esthetics and
    that provokes the creation of performances, in which the performer's body presents itself as an
    interface that shares the sensitive in the physical space and in cyberspace; and as a specific
    objective, we chose to create performances that incorporate technological devices in clothing as
    a potency to feel the interpresence. In this way, the methodology of invention was constituted as
    a strategy for the elaboration of the interpresence performances, combining performative
    research and Merleau-Ponty's phenomenological method. The data of the study were collected
    through notebooks, image files, videos, and cartographic sheets of the performances. Use was
    made of appropriation, collage, remix, plagiocombination, and arrastão to create garments that
    incorporate technological devices used for the realization of three performance groups created
    between the years 2018 and 2022, namely: Group 1) arts performances that seek to reconfigure
    bodily presence and non-presence through networked technological devices; Group 2) arts
    performances that occupy physical space and cyberspace to constitute interpresence through
    the Ministry of Sensible Territories (MITESE); Group 3) art performances that configure
    interpresence as an expression of the Sensible State (ESTASE). As a conclusion of the thesis,
    it is understood that the interpresence performances that incorporate technological device as a
    potency of feeling on the border between physical space and cyberspace offer malleability that
    redraws contours between nature and culture, between organism and machine, through an
    experience of the performer body as interface, symbiosis, hybridization, interconnection of
    sensitive sharing.

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