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Disertaciones |
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1
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Daniel Barbosa Sales
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The education of πάθος in Aristotle
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Líder : LUCA JEAN PITTELOUD
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MIEMBROS DE LA BANCA :
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EVAN KEELING
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GABRIELE CORNELLI
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LUCA JEAN PITTELOUD
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MARIA CECÍLIA LEONEL GOMES DOS REIS
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Data: 06-feb-2023
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Resumen Espectáculo
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The purpose of this study is to investigate to what extent Aristotle's ethical and political approach to education, especially in the Nicomachean Ethics and Politics, provides guidance that allows, through a focus on discourse largely directed to this end, the achievement of a program for the formation of man of excellence from two fronts of investigation: the first is the formation of the individual in the realm of intellect, via teaching; and the second and more decisive, the development of excellence of character via disposition of habit. The framework of concepts of the aforementioned works is to this end rearticulated, focusing especially on the key concepts that provide a solid support for the premises and approach of the project, as well as safeguard for the conclusions obtained, ensuring the necessary consistency.
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2
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GERONILSON DA SILVA SANTOS
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THINKING THE CITY IN PHILOSOPHY: FROM THE POLITICAL ONTOLOGY TO THE FABLE OF THE INHABITED SPACE
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Líder : PEDRO ERGNALDO GONTIJO
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MIEMBROS DE LA BANCA :
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AUGUSTO SÉRGIO DOS SANTOS DE SÃO BERNARDO
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LUIZ TOKUZI KOHARA
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PEDRO ERGNALDO GONTIJO
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PRISCILA MONTEIRO BORGES
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Data: 16-feb-2023
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Resumen Espectáculo
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This study seeks to reflect on the genesis and development of the city, bearing in mind that there are different approaches to establish discourses on human space from various sciences. The guiding thread of the research, although interdisciplinary, is philosophical one, and the research starts from the spatial condition as an essential characteristic of the constitution of human relations of which, in a world of contradictions and inconsistencies, the city is the ground of realities. The main objective of the work is to present the main philosophical debates around the city to understand how the problems of existence dialogue with the spatial dimension, based on the historical-philosophical analysis of the debates about that dimension. We will present a critique of the spatial dimension of existence in a complex fabrication of territories, involved in a diversity of concepts, from ―multiterritoriality‖ to the concept of non-places. We will present the confrontation of community models that, when opposed to ―urban‖ values, provoke the following reflection: is it possible to create spaces that generate culture and belonging in the logic of space-time compression, on which the mode of production of contemporary cities is based? Subsequently, we will try to demonstrate, through theories of urban space, anchored in political ontologies, the importance of the philosophical study of the city. In this sense, we will present studies of the human condition in the face of spatiality, since there is a production of the city inserted in realities that give meaning to life, in the last case, being able to reveal the forms of philosophical thought of space throughout history. Finally, as a secondary objective, based on the notion of corporeality, this work will re-discuss the barbarism of spatial segregationism, which reduces the citizen to a mere user in the democratic bosom, in a forceful way, through a platform for the manufacture of lands of deaths to the useless and undesirable.
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3
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LUCAS RAFAEL JUSTINO DE MORAIS
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Subjectivity in Haruki Murakami's semiotic worlds: reading from C. S. Peirce's theory.
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Líder : PRISCILA MONTEIRO BORGES
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MIEMBROS DE LA BANCA :
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PRISCILA MONTEIRO BORGES
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PATRÍCIA MELISA SILVA FONSECA FANAYA
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JULIANA DE OLIVEIRA ROCHA FRANCO
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MARIA LUCIA SANTAELLA BRAGA
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Data: 21-mar-2023
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Resumen Espectáculo
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Haruki Murakami (born 1949) is a Japanese author whose books are notably best sellers both in his native country and around the world. His stories carry everyday life, which are easily reconcilable with the experiences of readers, combined with a surreal tone that practically transforms his work into a type of realism that discusses various themes related to the way modernity imposes itself on subjects. Whether in his essays, short stories or novels, Murakami is always working on themes related to how a subject can understand himself and what this can mean about reality itself, which incurs a psychoanalytical and psychologizing reading of his work, which we fly over and feel as a dualist reading. From this contextualization of how Murakami is traditionally read, this dissertation proposes to think about a new conception of the subject, a subjectivity that does not derive from the modern philosophical tradition initiated by the Cartesian cogito, but an idea of the subject proposed from the reflections of Charles Sanders Peirce (1839-1914), American philosopher, logician and scientist, on the self. Based on Peirce, it is possible to think of a conception of semiotic self, in which subjectivity is not purely individual, but can be thought collectively and whose character is plastic, not static. This argument defending a conception of the semiotic self becomes the basis for reading one of Haruki Murakami's best-known novels, 1Q84 (2009-10), in the light of this new possibility for understanding subjects. The characters and the story are interpreted from Peirce's thought, proposing a reading of Murakami that is not the usual one, in which continuity is sought and not rupture between the characters and their worlds.
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4
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Cristina Serrão Gonçalves
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Plato, Banquet, Eros, Intermediate, Diotima
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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GABRIELE CORNELLI
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AGATHA PITOMBO BACELAR
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VICENTE THIAGO FREIRE BRAZIL
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RAFAEL CÉSAR PITT
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Data: 28-mar-2023
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Resumen Espectáculo
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The conception of Eros as an intermediary, in Plato's Banquet, is presented by the priestess Diotima of Mantineia. It is through his teachings to a young Socrates that we see the change in his meaning from the Greek heritage, where Erose was seen as a god, starting, in this speech, to be treated as a daimon, an intermediary, between mortals and gods. Primarily, an analysis of the narrative is carried out, seeking to relate the events that permeate the "wireless telephone" of Agatho's banquet, in order to relate it to the purpose of the work, which is to discuss Diotima's speech with the young Socrates dealing with Erose of the its status as an intermediary. For this, a reading of Agatho's speech and his dialogue with Socrates is made, where he assumes that he will make a speech that seeks the truth, constructed through dialogic means, and not just apparently beautiful speeches. The aim is to present the researches that deal with Diotima. In the impossibility of attesting to her as a historical character, it is assumed that she is a mythical character of Plato, in order to modify the meaning of Eros, studied as an intermediary, in this discourse. With this, the conception of Eros and Philosophy are confused, proving both to be a way to search for wisdom and the Form of Beauty, considered as a divinity in itself, which no mortal, not even Socrates, managed to reach in his earthly life.
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5
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LEONARDO GUIMARÃES DA COSTA
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THE FABLE OF SOCRATES: A STUDY OF SOCRATES' LAST WORDS IN PLATO'S PHAEDON.
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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GABRIELE CORNELLI
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ALDO LOPES DINUCCI
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GIOVANNI CASERTANO
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ANDRÉ MALTA CAMPOS
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Data: 18-may-2023
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Resumen Espectáculo
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The Phaedo is the dialoguewritten by Plato to recount thelast day of Socrates' life, the things he did, and the things he said. This dissertation analyzes Socrates' last words from an enigmatic perspective, where the message presents the style of the Aesopicfables and can extract from it a moral intended by Plato. Through Griffith's (2017) suggestion of understanding the last words as a fable, we can understand the relationship that each character in it represents according to the Platonic view. Thus, each character is an actant, an element of the narrative that has a clear intention and participates in the process of the tale. Delimiting the action of each character, it is possible to dwell on the varied interpretations that commentators from different centuries have attributed to these words, which can be branched into two lines of interpretation: the first is the literal interpretation, which claims that there is no enigma, metaphor, or allegory contained in the last words,written by Plato for no apparentreason or historically describing the last words; the second is the cryptic interpretation, derived fromαἴνιγμa, which claims that there is a deep meaning hidden in the few words. Starting from the second interpretation, it is possible to understand Socrates' last words as a fable, which has a moral lesson to be extracted through its story. Thus, the last words are a clear intention of Plato to place Socratic discourse as the true discourse worthy of the term "philosophy." Plato means by these words that the soul of the true philosopher, ascended to the divine and by it purified and kept healthy, always cured of dangers employed by any kind of discourse other than well-examined speech, defeats the fear of death and awakens to true life, the life lived by reason, which surpasses any fear and limit placed by death. This interpretation is only possible if we understand thePhaedoas a work written in a ring composition, connecting Socrates' first words to his last, where Plato stands out as the master who dominates the other discourses to assert his type of discourse.
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6
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STEPHANY GUEDES KRAUSE
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A TYCHÉ DE ALEXANDRE MAGNO ENTRE A VULGATA E O ROMANCE GREGO: Um estudo comparado a partir de paralelos nas duas tradições
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Líder : HENRIQUE MODANEZ DE SANT ANNA
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MIEMBROS DE LA BANCA :
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HENRIQUE MODANEZ DE SANT ANNA
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IVANETE PEREIRA
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SILVIO MARINO
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TUPA GUERRA GUIMARAES DA SILVA
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Data: 26-may-2023
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Resumen Espectáculo
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This dissertation is based on the comparison of episodes in the life of Alexander the Great, narrated both in the sources of the vulgar tradition, represented by Quintus Curtius, Diodorus Siculus and Justin, and in The Greek Alexander Romance attributed to Pseudo-Calisthenes. The comparative study has as its central element the passages that deal with the myth of Alexander's birth; of his stay in Egypt, focusing on his visit to the oracle of Amun and the founding of Alexandria; the symbology of Darius's defeat at the battle of Gaugamela (331 BCE); and of Alexander's death in Babylon in 323 BCE. This study analyzed the points of convergence and divergence between both traditions, since both the Vulgate and the Romance have fantastic narratives widely known in the ancient and medieval world, teleological in spirit and in which a supposed divine factor plays a relevant role. The work also reflects on the construction of the personality of Alexander the Great over the centuries based on some emblematic examples, and on how each era and author, from antiquity to the present day, described his own Alexander. Finally, the text also addresses the relationship between the Greek Romance and the Morphology of Folktale, as elaborated by Vladimir Propp, and how this aspect contributed to the dissemination of the myth of the heroic Alexander.
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7
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Thiago Rodrigues Lima
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INDIVIDUATION AND INFORMATION IN THE LIGHT OF GILBERT SIMONDON'S PHILOSOPHY
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Líder : PRISCILA MONTEIRO BORGES
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MIEMBROS DE LA BANCA :
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NELSON MATOS DE NORONHA
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PEDRO ERGNALDO GONTIJO
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PRISCILA MONTEIRO BORGES
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RAINRI BACK DOS SANTOS
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Data: 31-may-2023
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Resumen Espectáculo
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This work consists of a reading and interpretation of the philosopher Gilbert Simondon's work and aims to investigate the possible relationships between the notions of individual and information, as well as to explain the assumptions and implications of these relationships in order to know the individual through individuation and not the other way around. This knowledge of the individual through individuation requires a method of analogical transduction that is more than logical inference,althoughitdoesnotdowithouttheseinferences.Asinference,causality,and propositional relationship, analogical knowledge can be understood as the act of identifying, recognizing, likening, and grasping reality in its stable aspects. However, for Simondon, true analogy is one in which the individual is always more than unity and identity. In true analogy, the relationshipismorethanaconnectionbetweenidentitiescapableofrevealingbeing.The relationship itself has value as being, and the connections between identities are only phases of this relationship. Therefore, to truly know individuation in an analogical and transductive way, it requires an individuation of knowledge as a relationship, rather than establishing similarities between individuals previously recognized in their unity and identity. From this same perspective, Simondon understands that there is no unity and identity of information. So how is it possible to know something that exceeds all sense of unity and cannot ultimately be identified? Wouldn't such knowledge be equivalent to making every individuated being destined to dissipate into incongruity, disparity,instability,indiscernibility,andcontradiction?Followingthemethodof analogical transduction, the interpretation presented in this dissertation is as follows: it is in the knowledge of the individuation force of information that Simondon will find correlations between the notions of individual and information. Understanding the ontogenesis of the individual in its essentially informational dimension can free us from promises, convictions, and expectations of purity in unity and identity; promises, convictions, and expectations that obliterate in us the pre-individual and limitless nature of every being as an individual, a nature that informs us and propels us into perpetuated individuation.
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8
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Jeane Torres da Silva
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THE HOLISTIC PERSPECTIVE OF PHILON OF ALEXANDRIA: THERAPEÍA AND ARETE
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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RENATO MATOSO RIBEIRO GOMES BRANDÃO
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ALDO LOPES DINUCCI
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GABRIELE CORNELLI
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IVANETE PEREIRA
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Data: 15-jun-2023
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Resumen Espectáculo
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Our research is an investigation of the holistic perspective in the philosophy of Philo of Alexandria, having as preliminary basis of analysis the conception ofhost in ancient Greek philosophy, then we analyze the integrality between therapeia and areté, and finally we approach the contrasts of areté, between Hellenistic banquets and therapists. Our objective was to understand the antecedents of holistics from the conceptions of holos in ancient Greek philosophy, which may have contributed to the foundations of the holistic perspective of Philo of Alexandria, especially in the relationship of integrality between therapeía and areté, as well as the contrasts of areté between the Hellenistic banquets and therapists. Our methodological approach is qualitative in nature with a hermeneuticphilosophicalapproach,carriedoutthroughbibliographicand documentary procedures, observing the rigor of the processes of analysis, order and synthesis. The results indicated that there is evidence of the idea of holistic in the conception of Greek hockey, as well as consistent arguments that demonstrate the holistic perspective in the philosophy of Philo of Alexandria, especiallyin matters related to areté, which are the virtues, and therapeia, practices of caring, treating and serving.
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9
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Juan David Almeyda Sarmiento
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A WILD SUBJECTIVITY AGAINST HOMO DIGITALIS. SCULPT A REBELLION AGAINST CONTEMPORARY NEOLIBERALISM A FROM HENRY THOREAU AND MICHEL ONFRAY
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Líder : ROGERIO DA SILVA LIMA
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MIEMBROS DE LA BANCA :
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ROGERIO DA SILVA LIMA
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MARIA VERALICE BARROSO
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WANDERSON FLOR DO NASCIMENTO
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FLORENCE MARIE DRAVET
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Data: 30-jun-2023
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Resumen Espectáculo
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The objective of this research is to return to the philosophical ideas of Henry Thoreau on the constitution of the individual from the lens of Michel Onfray, so that it is possible to elucidate both the contemporary validity of the ideas of the American philosopher and the subjective uses that this thought has to produce forms of resistance within the framework of contemporary achievement society. To reach this objective, the work is divided into four parts: the first one, which deals with making a genealogy of the neoliberal subject that is understood as a subjective paradigm that has come about as a result of a historical evolution within society, hence the concepts of homo consumens and homo oeconomicus are used as antecedents of today's neoliberal homo digitalis; the second one, which exposes the different elements that surround the concept of subject in Henry Thoreau, hence the concept of physiology is used as a condenser of what thoreauvian philosophy said about corporeality and the ways of being; the third one deals with presenting the thought of Michel Onfray in general terms, so that it can be used later within the argumentation of the research and; finally, it works on the leap from Thoreau's existential radicalism to what is called here savage subjectivity, which is the result of taking the thought of the American philosopher as a basis for considering the human condition in the current neoliberal model.
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10
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VANESSA KIEWEL CORDEIRO
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The parrhesia of Julian Assange
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Líder : ALDO LOPES DINUCCI
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MIEMBROS DE LA BANCA :
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ALDO LOPES DINUCCI
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GABRIELE CORNELLI
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EVALDO BECKER
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MARCOS FONSECA RIBEIRO BALIEIRO
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Data: 29-sep-2023
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Resumen Espectáculo
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The present work is divided into three parts. In the first, we analyze the stoic parrhesia under the Foucaultian gaze. Our analysis is primarily focused on the works of the last Foucault, produced in the last five years of his life, between 1980 and 1984, to which we bring the contribution of excerpts from the works of the Stoic philosophers Epictetus and Seneca. Preliminarily, we start from the concept of parrhesia left by Foucault, which, in addition to being the speech of truth with specific requirements, it is always focused by him as an instrument of care for oneself and others, and from it we extract the three types of parrhesia analyzed by Foucault, the political parrhesia, the philosophical parrhesia and the political-philosophical parrhesia, although we disagree with the existence of a purely philosophical parrhesia, since it has always been linked to politics, therefore, it is, in fact, political-philosophical parrhesia. In the second part, we focus on parrhesia as a way to exercise the Stoic community or socio-political action, prioritizing the greater good of the whole, and we bring it to the contemporaneity, finding in the figure of Julian Assange the greatest living representative of the parrhesia that, by the very nature of the concept, in realizing the common good for all by denouncing and showing the truth about corrupt actions, war crimes and crimes against humanity of various governments and companies, became the target of powerful persecution, smear campaign and attempt, unfortunately successful, to make him an international pariah. And in the third and final chapter, we evaluate the political-philosophical character of the parrhesia in Assange, focusing above all on the dichotomy between total privacy of the individual and total transparency of the state, as advocated by the cypherpunks, a group of ethical hackers who inspired the creation of Wikileaks and granted it’s philosophy of parrhesia’s praxis on a global scale opening the way to a new utopia of universal direct democracy in which the voice of all has turn and value, in a cooperation and community action based on the new technologies that now allow a true cosmic and anthropological koinonia.
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11
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CRISTIAN RENE MOTTA TELLEZ
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A HUMANIDADE DE JORGE LUIS BORGES: ENTRE POEMAS E CONTOS
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Líder : ROGERIO DA SILVA LIMA
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MIEMBROS DE LA BANCA :
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ROGERIO DA SILVA LIMA
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PEDRO ERGNALDO GONTIJO
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WANDERSON FLOR DO NASCIMENTO
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RAFAELA SCARDINO LIMA PIZZOL
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Data: 24-nov-2023
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Resumen Espectáculo
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O objetivo da presente pesquisa é a realização de um estudo acerca da obra de Jorge Luis Borges, escritor argentino, investigando as figurações que faz da humanidade em sua literatura, particularmente nos seus contos e poemas. Para este projeto foram propostas três categorias da análise: a primeira, intitulada multiplicidade, corresponde às múltiplas maneiras físicas e mentais que abarcam ao ser humano; a segunda, intitulada variabilidade, centra-se na variedade de possibilidades que têm o humano se, perder sua identidade e nas limitações dessa variedade; a terceira, intitulada substancialidade, tem foco na indagação pelo suporte do humano, isto é, o lugar onde repousam as caraterísticas dele. A metodologia escolhida para a análise destas categorias pretende facilitar um exercício fenomenológico das obras do autor, baseando-se num trabalho hermenêutico direto dos textos escolhidos. Adicionalmente se tem uma seleção inicial onde explica-se a pertinência de fazer uma pesquisa sobre a humanidade e de focalizála na literatura de Borges; outra seção, posterior à análise das categorias acerca do autor, estabelece um diálogo destas com alguns autores da tradição filosófica ocidental; finalmente, integram-se as categorias, o qual nos permite compreender ao ser humano como um exercício ou uma posta em cena. Embora este desenvolvimento nos permita estabelecer algumas das principais noções sobre humanidade que o autor faz em seus textos, não há uma sistematização própria dele do conceito em Borges, mas exercícios retóricos que permitem entrever alguns questionamentos filosóficos a respeito.
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12
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GABRIEL MELO DE PAULA
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Emergent monotheism and apocalyptic destabilization: the case of the Jesus tradition
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Líder : HENRIQUE MODANEZ DE SANT ANNA
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MIEMBROS DE LA BANCA :
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HENRIQUE MODANEZ DE SANT ANNA
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SILVIO MARINO
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IVANETE PEREIRA
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SILAS KLEIN CARDOSO
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Data: 15-dic-2023
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Resumen Espectáculo
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Given the comprehension that both YHWH and monotheism come as the result of historical development, this work seeks to trace the history of Jewish monotheism's consolidation and the ways in which it was disputed or pushed to its limits. After synthesising the origins of yahwism and the emergence of monotheistic rhetoric, it proposes that the visionary experiences of the apocalyptic movements worked as a rhetoric of concealment and destabilised the strict unity of God within the emergent monotheism of Second Temple Judaism. In order to understand this rhetorical device in a concrete manner at a specific apocalyptic tradition within Second Temple Judaism it takes the development of Christology within the purview of considerations flowing from historical Jesus research and the possible connection Jesus had with a Two Powers in heaven theology
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13
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ANA PAULA LOPES MENDES
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THE PLACE OF GAMES IN PHILOSOPHY AND EDUCATION: AN INTERACTIVE STRATEGY TO PROMOTE THE INTELLECTUAL WORK OF WOMEN
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Líder : PEDRO ERGNALDO GONTIJO
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MIEMBROS DE LA BANCA :
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PEDRO ERGNALDO GONTIJO
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WANDERSON FLOR DO NASCIMENTO
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PRISCILA ROSSINETTI RUFINONI
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MARIA VITÓRIA CAMPOS MAMEDE MAIA
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Data: 21-dic-2023
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Resumen Espectáculo
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The purpose of this research is to analyze the concept of play in philosophy and education, as well as to develop a game that highlights the work of intellectual women in different fields of knowledge, particularly in philosophy. The aim is to reclaim the place of these women in the philosophical canon and in the curricula of basic education. To achieve this goal, it is proposed to use games as didactic resources in the teaching of philosophy, in order to make the presentation of female literary production more dynamic and accessible. The research also seeks to democratize access to knowledge through games and contribute to reflections on the methodologies applied to the teaching of philosophy, addressing the use of games as an educational mechanism and the silencing of women's intellectual work. The methodology adopted includes a literature review of works that address play as a philosophical concept and as a tool for teaching, as well as works by intellectual women in philosophy and other fields of knowledge. It is hoped to contribute to a more inclusive and diverse education, providing teaching materials that value the role of women in the history of thought and encourage access to knowledge in a democratic and participatory way. Games can be effective resources for promoting gender equality and inclusion in the realm of education, fostering critical reflection on the history of philosophy and the role of women in the development of human thought.
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Tesis |
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1
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ALINE MATOS DA ROCHA
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BODY-ORI-AGE: A PHILOSOPHICAL INVESTIGATION ON RELATIONAL ONTOLOGY IN THE THOUGHT OF OYÈRÓNKẸ@OYĚWÙMÍ
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Líder : WANDERSON FLOR DO NASCIMENTO
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MIEMBROS DE LA BANCA :
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WANDERSON FLOR DO NASCIMENTO
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AGATHA PITOMBO BACELAR
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PEDRO ERGNALDO GONTIJO
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TIGANÁ SANTANA NEVES SANTOS
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ELZAHRA MOHAMED RADWAN OMAR OSMAN
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Data: 08-may-2023
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Resumen Espectáculo
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This text has as its main thread the interweaving between body, orí, age and how this weft weaves a philosophical investigation about relational ontology in the thought of the Yorùbá philosopher Oyèrónkẹ́Oyěwùmí, who warns us that gender is not ontological to the Yorùbá ethos and its presence is evidence of colonial impositions and epistemological changes in Ọ{yọ́-Yorùbá seniority-based cosmology and sociocultural institutions. Seniority expresses fluid, situational, and relative relationships independent of body type. The fact that someone possesses a certain genitalia does not automatically place them in an unequal place of power as gender systems do. Unlike gender, seniority was not made on the basis of anatomy and (dis)position of the sexual organs, but on the basis of age that does not dwell only in the body, but in history that speaks of the collective and not the sexual identity of beings. This ethos makes ontology relational, fluid and situational, given that sometimes you are senior and sometimes young, it depends on who you are in relations and situations. Thus, seniority communicates both a non-gendered Yorùbá ontology and an ontology thought of in relation to and not as something isolated and excluded from the community, from nature, and from deities. Thus, the present text seeks to describe from the thought of Oyèrónkẹ́Oyěwùmí a relational ontology based on seniority, which cannot be discussed without Ọ{ṣun, the primordial Ìyá, senior hon(orí)fic and matrix for the reading and understanding between body, orí, and age evoked in the construction of this work.
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2
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Erick Luiz Araujo de Assumpcao
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On phármakon. Essays about multivalence
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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LUISA SEVERO BUARQUE DE HOLANDA
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BEATRIZ CRISTINA DE PAOLI CORREIA
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RODRIGO SIQUEIRA-BATISTA
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AGATHA PITOMBO BACELAR
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GABRIELE CORNELLI
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Data: 24-jul-2023
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Resumen Espectáculo
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This thesis is supported by an introductory text, entitledTuning, and a final one, entitledDisassemble. Among them are presented three essays, the first two separated from the last by an Interval. The job with Tuning opens. Unlike an introduction, something like an instrumental preparation is sought. Necessary preparation, in view of the general objective of the research: the survey and interpretation of discourses from Greek Antiquity – in particular in Homer's Odyssey, in Euripides' Helen, and in the dialogues carried out by the Platonic Socrates – that can work in opposition to the perspective of the “war on drugs”, a war whose greatest damage is imposed, in Brazil, but not only, on the black population. Tuning, as it is a matter of adjusting very different instruments – from ancient Greek poetry and philosophy to contemporary anti-racist and anti-prohibitionist praxis – so that they sound together while maintaining their own sonorities. Predictably, given its translation as drug, medicine or poison, attention turns to the term phármakon and its use in ancient texts. In the first essay, entitled Odysseus and epic multivalence, it is seen, however, that the phármakon cannot be analyzed alone. In the essay, it is proposed a reading of three episodes of the Odyssey in which there is the use of a phármakon. From this reading, initially centered on the phármakon, one can see an articulation with the floral food of the lotophages and the relationship of xénia, arriving at the proposal according to which, in the Homeric text, there is an appreciation of something that can be called multivalence – the vagueness, at first, of something; its open character, from which, of the most varied functionings, one of them develops according to the atmosphere in which such something is inserted –, an attribute, as will be seen, connected to the phármakon, but which the extrapolates. In the second essay, whose title is Helena and tragic ambivalence, the intention is to read, in the light of pharmacological ambivalence, the tragedy Helena, by Euripides. There is talk of ambivalence, as it is said that there is something like a “reduction” of the Homeric odyssey multivalent field, to that tragic ambivalent. A reduction that implies an intensification of ambivalence. A process in which there is, concomitantly, a decrease in the variables inherent to multivalence to two opposite poles and something like a rapprochement between these poles, creating a border, crossed and explored uninterruptedly by the tragedy. To deal with and problematize the ambivalence, Euripides uses, on the one hand, Helen and hereidolon, this image of Helen created by Hera, and, on the other hand, the relationship between Greeks and barbarians. The Interval is a short text, something like an introduction to the appearance of Socrates, Plato's protagonist. Who dies executed by a pharmakon, and uses and suffers the effects of another, for most of his life, the phármakon of speeches. But not only that, because, depending on where Socrates is observed, one can see something like the coexistence of the good, the bad and the indifferent. A whole multivalence proper to the character. IfTuningwas the preparation to approach and deal with the texts in focus,Disassembleis the distancing. There is, then, the moment in which one speaks more directly about the reasons why ancient Greek texts can be analyzed, with eyes turned, at the same time, to our life.
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3
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Pedro Ivo Souza de Alcantara
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PROTAGORAS IN PLATO: INTERTEXTUALITY OF PROTÁGORAS AND THE ISSUE OF THE UNITY OF EXCELLENCE
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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FELIPE RAMOS GALL
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GABRIELE CORNELLI
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LUCA JEAN PITTELOUD
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MAICON RÉUS ENGLER
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MARIA APARECIDA DE PAIVA MONTENEGRO
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Data: 30-ago-2023
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Resumen Espectáculo
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This thesis consists of an interpretation of the meaning of using the figure of the Protagoras character within the corpus platonicum, specifically in the dialogue Protagoras, from its presentation to the discussion on the unity of the parts of excellence. The thesis which intends to be defended is that such figure has, in the aforementioned dialogue, an operational function of opposing the figure of Socrates, whose effects impact coherently on the Republic IV. What is underpinned is that the function of this opposition is to distinguish an image associable to the figure of Protagoras, of kainḕ paideía (Ar. Nub. 962), in the educational project developed in Plato's work. The making of a reading choice that presents possible connections between two dialogues implies the imposition of approaching a discussion about the organization of the corpus platonicum. Thus, the work opens with a brief historiographical presentation of the theme of organization of the corpus platonicum, focusing on a particular historical tendency to take a “chronological approach” for this organization. The first section concludes by presenting an own method of reading the corpus platonicum, called “literary unitarism”, which establishes that an interpretation of the possible connections between dialogues must have three moments: the first, which establishes the unity of the corpus by its literary character; the second, which interprets dialogue relations within the corpus without presupposing issues regarding authorship or order of production; and a third, conclusive one, which conflicts the interpretation of these relations with prevailing hypotheses about authorship and order of production. The method aims to interpret the relationship between the dialogues at least partially independent from alterations resulting from speculation about the order of composition. The section two of the thesis speculates on the here called “Protagoras with hypothetical historical existence” (or Peh). An attempt is made to reconstruct - with an attitude tending towards skepticism regarding the possibilities of this undertaking - minimal elements of predication for Peh. The objective of section two is to assess such predicative elements of Peh to, from them, support the hypothesis that the corpus platonicum uses the image of Protagoras as a philosophical-literary means of distinguishing the project contained in the corpus from the pejorative image of kainḕ paideía created by Aristophanes, target of his mockery. Section three presents a reading of Protagoras that focuses on the question of the unity of the parts of excellence. Its purpose is to point out that seeing a function in the literary representation of Protagoras in this dialogue can better clarify the meaning contained in the relationship between Courage and Wisdom in the approach to excellence in Republic IV.
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4
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Henrique Gomes Guimarães
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A Digression About Knowledge in the Seventh Letter Platonics and its relation to the Dialogues
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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PEDRO MAURICIO GARCIA DOTTO
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EDUARDO WOLF PEREIRA
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FELIPE RAMOS GALL
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GABRIELE CORNELLI
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RENATO MATOSO RIBEIRO GOMES BRANDÃO
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Data: 05-sep-2023
Ata de defesa assinada:
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Resumen Espectáculo
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In the digression of the Seventh Letter 341 c-d, 344 d-e) Plato makes a description of the philosophical method and the limit of speeches, whether written or spoken, to communicate the knowledge of beings. The digression refers to the production, by Dionysius, young tyrant of Syracuse, of a pretentious treatise on Plato's philosophy, aiming at his 'doctrines'. Plato then makes us rethink the meaning of philosophy in the digression as a courageous and difficult effort of constant search for true knowledge and better living, criticizing the writing of the tyrant, trapped by false notions, when writing as if he already knew everything about the supreme principles of reality. Plato narrates how he sought to combine true politics with philosophy, in an attempt to stabilize power with a stable discourse, and the difficulties he had in achieving such an undertaking in the interaction with the tyrant. This digression, an apparent deviation from course, reveals harmony with the text as a whole: a critique of the tyrant's claim to knowledge is developed into a consideration of language and the elements necessary for the knowledge of beings in general. The thesis reviews the literature about the letter, its authenticity and reception, and then comparatively develops the deep possible relationships between the digression on knowledge and the authentic dialogues.
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5
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Megue Magalhães de Andrade
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THE BODY AS AN ETHICAL-POLITICAL CATEGORY IN JUDITH BUTLER
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Líder : PEDRO ERGNALDO GONTIJO
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MIEMBROS DE LA BANCA :
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PEDRO ERGNALDO GONTIJO
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GABRIELE CORNELLI
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PRISCILA MONTEIRO BORGES
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CARLA RODRIGUES
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CRISTIANE MARIA MARINHO
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Data: 19-dic-2023
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Resumen Espectáculo
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Judith Butler is one of the philosophers in the field of gender studies, whose ideas have expanded to broader studies on contemporary social, ethical, and political problems. This research participates in an ongoing effort to bring the contributions of its problematizations and propositions to philosophical work in the Brazilian context. From this framework, we seek to carry out a reading of the body in Butler's philosophy, mapping the meaning that corporeality acquires, the role it plays, as well as the way it impacts his theories. The main objective is to understand the development of the idea of corporeality in Butler's philosophy and its repercussions on the elaboration of an ethical-political approach that expands gender problems without abandoning them. The problem of the body arises from the relationship between sex and gender for the configuration of the subject's ontology. Thus, the starting point, and which also crosses it, is the problem of the subject, which for Butler is neither presupposed nor guaranteed. Just as the body is not given in advance, it is not a mere product of nature but a social construct. In this process of “construction” operated by performativity, there is the production of the abject body, as a consequence of the regulated production of bodies to be recognized as subjects. This ontology rejects the excess of its production, to guarantee the legitimacy of standardized bodies. This will influence Butler's perspective on the lives that matter and the lives that don't. The elaboration of his critique of the subject and the de-ontologization of the body therefore converge on the need to think about another mode of subjectivity and corporeality. Butler's subject is essentially ecstatic because it is produced by contacts, in interrelational and dynamic processes. The social ontology of the body appears, then, as an alternative to the metaphysics of substance and presents the image of the interpersonal body, as a vector of relationships constitutive of subjectivity. This social-relational mode of existence implies vulnerability and interdependence, values according to which guide another way of conceiving ethical relationships. No longer based on individual self-awareness, autonomy, and self-responsibility, but based on the recognition of dependence, limits, and failures of self-fulfilling aspirations. Finally, the embodied image of politics emerges in Butler's philosophy, articulated by the political image of the body, through which the philosopher constructs plural policy alternatives. By mobilizing the condition of dependence, it is possible to create powerful movements and produce unexpected transformations. In this way, it is a way of arguing against liberal individualist perspectives, by showing that political agency is not constructed as individual sovereignty, independence, and invulnerability.
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6
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ALEX GONÇALVES PIN
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The undivided life of the ontology of power in Giorgio Agamben
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Líder : GABRIELE CORNELLI
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MIEMBROS DE LA BANCA :
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GABRIELE CORNELLI
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PEDRO ERGNALDO GONTIJO
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MONIQUE TERESINHA PYRRHO DE SOUZA SILVA
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ANDRE SATHLER GUIMARAES
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MARCELO SILVA DE CARVALHO
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Data: 31-dic-2023
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Resumen Espectáculo
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Ontologies contemporary
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