VOICE AND MOVEMENT: An analysis of Zygmunt Molik’s praxis
Voice, Movement, Molik, Grotowski
The main objective of this dissertation is to analyze the vocal work techniques developed by Zygmunt Molik during and after his career with Jerzy Grotowski at Teatr-Laboratorium. It addresses topics such as “The Resonators”, “The Body Alphabet” and a particular focus on Molik's conduction in his solo workshop “Voice and Body”. With regard to methodological resources, the research relies on information acquired from an interview with Giuliano Campo; descriptions and analyzes of the audiovisual recordings Acting Therapy (1976), Dyrygent (2006) and The Body Alphabet (2009); author's personal records about a workshop held at the Grotowski Institute in 2019; and analysis of bibliographic records dealing with these techniques, including authors of the Grotowskian line. The research bets on these multiple accesses, seeking to provide the reader with a dialogic perspective on the topic addressed.