An abandoned rose: Brazilian society, intellectuality and dictatorship in the novel Quatro-Olhos by Renato Pompeu
Literature, dictatorship, memory
Died in February 2014, the writer and journalist Renato Pompeu won three Abril awards and an Esso journalism award, the latter the most important distinction awarded to a professional in the Brazilian press. As a writer he left 22 books published, among them, a novel called Quatro-Olhos, from 1976. Quatro-Olhos draws attention to the very unique way in which Renato Pompeu treats the period of military dictatorship in Brazil. By opting for a language full of metaphors, Pompeu infuses the impasses of modern life and its existential dilemmas in the political situation of the country, so that Quatro-Olhos never presents a solid sense, fully tangible, one-way or homogeneous, as if commenting on the dictatorship, Pompey spoke of his own human condition. In Quatro-Olhos, the title character finds himself distressed, depressed and distraught trying to reconstruct the memory of a book that was lost when the protagonist was taken away by agents of repression. The lost book serves as a metaphor for what the narrator thinks about society, how it is, how it should be, and how distant it is from answering these questions. In a period when the State practices persecution, torture and murder, Quatro-Olhos is not only a way to escape censorship, but also a way of expressing what is beyond language, beyond even what we call humanity. Through Quatro-Olhos we will analyze some ideas and behaviors of Brazilian society in the 60s-80s, the relationship between its social organization and the repressive politics of the State.