Banca de DEFESA: Cristian Fabian Pulga Infante

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : Cristian Fabian Pulga Infante
DATE: 12/12/2023
TIME: 09:30
LOCAL: Brasília
TITLE:

PROCESSES OF RECEPTION, CONSTRUCTION OF CREDIBILITY AND CONFIGURATION OF KNOWLEDGE IN THE LITERARY WORK LA MALA HORA, BY GABRIEL GARCÍA MÁRQUEZ: A study of representations in literature and history at the time of the Violence in Colombia.

KEY WORDS:

Gabriel García Márquez, representations, credibility, La mala hora, literature of violence, Colombia, 20th century.

PAGES: 130
BIG AREA: Ciências Humanas
AREA: História
SUMMARY:

With the assassination of Jorge Eliécer Gaitán on April 9, 1948, the political conflicts in Colombia of the previous decades manifested themselves with greater intensity throughout the national territory, originating an escalation in the armed confrontation between the two traditional parties, which would eventually become an authentic civil war that would be recognized as the era of Violence. From literature a response to this moment is given, with the origin of a set of literary works that address, explore, narrate and interpret the events of this period receiving the name of the Literature of Violence. In this investigation, we will analyze how a specific work La mala hora (1966) by Gabriel García Márquez came to dialogue with this convulsed context, since Gabo presented to the public a fiction based on verisimilitude, on the identification of a particular theme and on the need to express a problem widely recognized by the reading public, with which his literary construction in the course of time became the "truth". Taking into account the above, the objective of this dissertation is to answer the question: how did the literary work La mala hora, as an aesthetic object, become credible, operating as a representation that configures some kind of knowledge within the narrative proposal of the novel of Violence in Colombia? In order to understand violence not as the direct protagonist of the narrative, but as a specter in social and cultural life, as well as to understand the possible relations of tension, contradiction, rupture or complement between fiction and the historical events that occurred in Colombia between 1946 and 1958. For this purpose, we will rely on the contributions of cultural history and the epistemology of romance, emphasizing the study of representations and the construction of credibility.

COMMITTEE MEMBERS:
Externo à Instituição - JOHNNY JAVIER OREJUELA GÓMEZ
Externa ao Programa - 1157770 - ANA PAULA APARECIDA CAIXETA - nullPresidente - 1891798 - ELOISA PEREIRA BARROSO
Externa à Instituição - MARIA VERALICE BARROSO - UnDF