Escrevivência as a narrative aesthetic in Histórias de leves enganos e parecenças, by Conceição Evaristo.
Escrevivência. Aesthetic. Literature. Conceição Evaristo. Histórias de leves enganos e parecenças.
This work will be based on the study of the book Histórias de leves enganos e parecenças (2017), by Conceição Evaristo. The objective of this research is to analyze the narrative from the point of view of writing as an aesthetic composition in Histórias de leves enganos e parecenças (2017). In this way, the study will be carried out through the interpretations of the stories arranged in the narrative. Thus, we will seek to understand the characteristics that are present in the narrative process of fictional artistic creation of escrevivência in the novel. To fulfill this objective, the theoretical framework of this work will be composed by Conceição Evaristo, Sueli Carneiro, Beatriz Nascimento, bell hooks, Abdias Nascimento, Lélia Gonzalez, Patricia Hill Collins etc. For this reason, this work intends to present escrevivência as an aesthetic in the narrative compositions of the stories present in the novel, in order to establish reflections that concern the similarities between the fictional text and the social practice in human relations. Therefore, we will seek to present that, the escrevivência in the novel of Histórias de leves enganos e parecenças (2017), can bring new possibilities of perspectives on the composition of literary aesthetics. From this perspective, we will seek to consider the importance of the narrative of black women in the matrix conduction of escrevivência in the construction of new forms of criticism and literary social practices.