Perspectives on One-to-One Theater: Creation, Dramaturgy, Encounter, and Reported Experiences
Memory, Autofiction, One-to-One Theater, Relation
This research investigates the types of creation, dramaturgy, and encounter within oneto-one theater based on a study of a few historical occurrences in Europe, Argentina, and Brazil, and in particular my experience with the work entitled Inominável (“Unnamable”) of my own authorship, where autofiction construction processes are analyzed by accessing the mnemonic field and each actor’s personal mythology. The work also considers how those processes can render an interpreter or performer more receptive, porous, and permeable to their exchange with the audience, thus constituting an exercise to develop muscles that are not only creative, but also relational vis-à-vis the acting work and dramaturgies that may stem from those processes.