Banca de DEFESA: Leila Saads Pereira Martins

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
STUDENT : Leila Saads Pereira Martins
DATE: 25/06/2024
TIME: 09:00
LOCAL: Híbrida - Auditório da FAU, Prof. Jayme Golubov - https://www.ppgfau.unb.br/component/agenda/agendas
TITLE:

Urban (re)montage: historical-cartographic experiments about the Estrutural City and the village.

KEY WORDS:

historical methodology; urban history, history of Brasília, historical writing, montage.

PAGES: 294
BIG AREA: Ciências Sociais Aplicadas
AREA: Arquitetura e Urbanismo
SUMMARY:

This thesis was designed as a space for historical-cartographic experimentation and developed through the articulation among three axes: [1] historical writing, [2] montage, and [3] the Estrutural City and the village. The entire gathering and subsequent analysis of primary sources focused on the village and the Estutural City. The former was a small occupation of garbage collectors, which developed close to Lixão do Jóquei in the 1960s. The latter was an urban nucleus of the Federal District and originated in late 1994, occupying the area where Cidade do Automóvel can be found nowadays. The proximity between the two occupations and the overlapping of their territories, following an action undertaken by the Cristovam Buarque government in 1996, encouraged the construction and perpetuation of a historical narrative that unequivocally unites the past of the small village to the present of the Estrutural City. This thesis, therefore, seeks to investigate the historicity of such locations and propose, based on a dialogue with different types of sources, multiple ways of revealing the historical processes and events that made possible the emergence of the Estrutural City as a cognizable territory in the spatial dynamics of the Federal District. The search to multiply the ways of showing such stories was based on an intense work of historiographical experimentation. This work mobilized various forms of writing, such as transcreation, photography, poetry, and Deleuze-Guattarian cartography. Hand in hand with writing is montage, understood here, as Georges Didi-Huberman (2018) wrote, both as an essay—in the sense of experimentation—and as a form—in the sense of the specific body from which the research is inscribed and becomes visible to the public. Finally, this thesis is closely connected with what Félix Guattari (2011) defined as an aesthetic paradigm with ethical-political implications. On the one hand, it is aesthetic due to its sense of creativity and creation. On the other, it is ethical-political due to the commitment that the creative process establishes with the richness of the possible and the production of multiplicities.

COMMITTEE MEMBERS:
Externa à Instituição - JOSIANNE FRANCIA CERASOLI - UNICAMP
Externa à Instituição - PAOLA BERENSTEIN JACQUES - UFBA
Interno - 1083498 - CARLOS HENRIQUE MAGALHAES DE LIMA
Externo ao Programa - 1644442 - DANIEL BARBOSA ANDRADE DE FARIA - nullPresidente - 1746081 - LUCIANA SABOIA FONSECA CRUZ